Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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The breakdown at 1:48 is the best thing here: everything drops to a single reverbed vocal and a sub that hums like a fridge in an empty flat, and for about eight bars On Fire is genuinely tense. Then the drop lands and it is fine. That is the honest verdict. Lateral can obviously build a moment, but this one spends its good idea early and coasts the back half on a bassline I have heard a hundred times on Viper this year. It is competent dancefloor DnB that will do real damage in a set and then evaporate by...
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How did Levity get K Flay onto a drum and bass record, and why does it work this well? Slipping Away is the kind of collaboration that reads like a label fever dream on paper, a UK bass producer and an American alt-rock singer with a voice like a lit cigarette, and the match turns out better than it has any business being. K Flay does not soften herself for the dancefloor. She brings the same flat, bruised delivery she uses on her own records and lets the production build the drama around her, which is exactly the correct instinct....
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Got in from a soaked bus ride, put this on to dry off, and it did the opposite of calming me down. Arcando is one of those Dutch producers who treats drum and bass like it should still feel dangerous, and Killer Instinct earns the title without resorting to the usual jump-up clown horns. IRAH’s vocal rides high and a little desperate over the top, the kind of topline that would sit fine on a pop record until the low end arrives and reminds you what room you walked into. The bassline has a rubbery Rotterdam weight to it, rolling...
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