Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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The bass note anchoring this drop is a single sustained growl that sits about a semitone lower than feels comfortable, and that slight wrongness is the whole hook. Step & Flow is an S.P.Y track reworked by US + THEM, and it keeps the Brazilian producer’s deep, rolling sensibility while roughing up the edges. S.P.Y has spent years as one of Hospital Records’ most reliable hands, the guy who can make 174 feel like a slow groove, and the original leans on that patient, soulful roll. This remix adds grit, a darker low end and a more menacing swing, without...
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The original Energy was a dubstep tune, all weight and half-time swagger, so hearing Napes drag it up to drum and bass tempo does something clever: the Stush vocal that sat heavy over the original now has to sprint to keep up, and it sounds better for the chase. Flava D has spent years refusing to pick a lane, bouncing between UKG, dubstep and a whole drum and bass album on Hospital, and her tracks survive this kind of surgery because the bones are strong. Stush brings that raw, patois-inflected toughness UK dance music has always been better with, a...
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If you have been clocking BOP’s name on track after track lately, Island On My Own shows you the songwriter rather than just the breakbeat scientist. This one is built around voices, Degs delivering his warm half-sung half-spoken flow and Gabriella Bongo floating a gorgeous hook over the top, and the drum and bass underneath almost serves them instead of the other way round. It is liquid at its most song-shaped, verses and a chorus you could hum in the shower, the breakbeat rolling gently enough that the whole thing could pass for a soul record that happens to run...
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How do you make a track that just rolls for five minutes and never once gets boring? The amen break is the answer, and the one in Miles and Miles is chopped with a looseness that tells you immediately these are two producers who came up on jungle, not on presets. BOP and Logistics both work the deeper, more musical end of the Hospital stable, and together they have built a drum and bass roller that sounds like the back half of a very good night. The bassline is pure warmth, a round sub content to sit back and let...
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