Put this on to test a new set of headphones and lost twenty minutes to it instead. “Misbehave” is jump-up drum and bass with a grin, K Motionz doing that bouncy, elastic bassline thing where the low end feels like it’s being yanked and snapped back on every bar. The “jazza’s dance party” billing tells you not to expect a serious record, and thank god. There’s a chant buried in it that’s basically one word repeated until it turns into percussion, and a bass patch that gurgles like it’s laughing at you. This is music for jumping around a sweaty room, full stop. The second drop swaps the bass tone for something even dafter and it got a laugh out of me on the third pass. K Motionz keeps making bass sounds that are cartoonish without ever tipping into annoying, and I genuinely don’t understand how he does it. Most...
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August 12, 2026 at 10:49 AM 1 min read
K Motionz & jazza's dance party - Misbehave
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August 12, 2026 at 6:39 AM 1 min read
AVELLO - LOST IN YOU
Read more . . . →Had this on walking home last night and the drop hit exactly as I crossed an empty intersection under a dead streetlight, which is about the most on-brand way to hear it. AVELLO’s “LOST IN YOU” is melodic trap that leans harder on the melodic than the trap, all glassy synths and a vocal chopped into heartbreak confetti over skittering hi-hats. It’s the kind of track Trap Nation built an empire on, that emotional-but-still-hits sweet spot for people who want feelings and 808s in the same package. The drop pairs a big detuned synth lead with a bassline that punches without overstaying its welcome, and there’s a nice restraint to how little AVELLO actually crams in. It’s spacious, almost lonely-sounding, which fits a title like that perfectly. It’s over in three minutes, gone before it wears thin, and I’ve had it back on twice since that walk. AVELLO clearly knows...
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August 12, 2026 at 6:25 AM
1 min read
Water Break Killed in Committee
Read more . . . →On July 21st, the House Education and Workforce Committee voted 18-15 to pass a bill that would ban OSHA from finalizing a federal heat safety standard. The proposed rule — the one they killed — would have required employers to provide water and a cool place to rest when it hits 80 degrees. Water. Shade. That’s the government overreach they gutted. The same month, a heat wave had already killed dozens of people across the country. Rep. Mark Messmer from Indiana sponsored it. Committee chair Tim Walberg from Michigan backed it. They called a water-and-shade requirement “one-size-fits-all,” which is a wild way to describe not letting your roofers collapse. Around 48 workers die from heat on the job every year and that’s almost certainly undercounted because most states don’t require employers to report heat as a cause of death. The committee saw those numbers and decided the real problem was...
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August 11, 2026 at 11:38 PM 1 min read
Ben Remember - Truth
Read more . . . →You already know if this is your kind of thing by the second bar, which is exactly what good tech house should do. Ben Remember’s “Truth” on Toolroom is peak-time tech-house with zero wasted motion: a relentless rolling bassline, a chopped vocal stab repeating the title, and a groove that simply does not let up for the entire runtime. This is functional dancefloor music in the best sense, made by someone who clearly knows precisely what a DJ needs at 1am when the floor’s full and the energy has to keep climbing. The bassline has that rubbery, hypnotic bounce Toolroom has basically trademarked, and the vocal hook is annoying in the specific way that means you’ll be muttering it in the shower tomorrow. There’s a filter sweep before the breakdown that’s older than I am as a trick and lands perfectly regardless. Tech house this tight is why the genre...
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August 11, 2026 at 8:21 PM 1 min read
Justė - Just A Little (feat. Sam Harper)
Justė and Sam Harper's 'Just A Little' is engineered to be inoffensive and somehow has real teeth. Three minutes of pure sugar.Read more . . . →Get the tee →Support the blogMade for people who left the room during Yellow. -
August 11, 2026 at 4:49 PM 1 min read
Circadian - Energy In Motion (A.M.C Remix)
Read more . . . →Some remixes politely improve on the original. A.M.C just bulldozes Circadian’s “Energy In Motion” flat and builds something meaner on the rubble. The man is a machine-gun on the drums, and this remix is him at full tilt: a bassline that snarls and reloads, drums so tight they sound programmed by someone holding a grudge. This is the aggressive end of dnb, the neuro-tinged jump-up stuff that clears the casual listeners out of the room and leaves the goblins up front. The second drop flips the bass pattern just when you’ve gotten comfortable, which is the whole art of this style. It’s ugly and precise and mean, built to detonate a rave at 1am and do nothing else with its life. A.M.C has been the reference point for technical dnb for years and tracks like this are the reason why. Get it on a big rig, turn it up past...
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August 11, 2026 at 4:41 PM 1 min read
Jai Wolf, SAYAK DAS - Bad Habit
Jai Wolf and SAYAK DAS get grittier than the gauzy festival-sunrise sound he's known for. There's a kalimba through a broken amp in here.Read more . . . →Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
August 11, 2026 at 1:22 PM 1 min read
Two Tracks That Broke the Genre Field
Read more . . . →There’s a Brazilian funk vocal buried inside a modular techno track and it heads Mixmag’s best-of list for 2026 so far. There’s a house record on a Ninja Tune imprint that sounds like it was assembled across three time zones at once. Two tracks this week with no fixed address, and both of them are better for the homelessness. 1. Skrillex, Randomer, Blawan & MC Dricka - Thistle This was floating around DJ sets for years before its proper release in May, and the wait was the right call. Blawan’s shredded metallic textures, Randomer’s chopped drum programming, MC Dricka’s Brazilian funk bars, and Skrillex holding the seams — four separate records happening at once, and nobody tried to smooth them into one. It dropped ahead of CONTRA at Kraftwerk Berlin, and that venue is exactly the right room for it — concrete walls and nowhere for the bass to hide....
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August 11, 2026 at 1:19 PM 1 min read
GROUPLOVE x Snakehips - Tongue Tied 2026
Read more . . . →Does the world need a dance remake of “Tongue Tied” fifteen years on? I asked that too, then played it four times, so apparently yes. GROUPLOVE’s 2011 original scored every coming-of-age trailer of that era, and Snakehips have flipped it into a proper 2026 club track without gutting what made it work. The “take-take-take” hook is still there, still absurdly catchy, now riding a garage-leaning beat with a bassline they clearly had a blast building. Hearing that chorus over a modern low end is a genuine time-warp for anyone who was around the first time. I got a jolt of being nineteen the second it kicked in. The remix keeps the ramshackle, hand-clappy charm of the original instead of steamrolling it into generic festival goo, which was the exact thing I feared they’d sand off. Snakehips kept the joy and added weight, which is the only way a remake like...
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August 11, 2026 at 12:24 PM 1 min read
David Guetta, Marten Hørger & Men Machine - Engage (feat. Vitalic)
Read more . . . →When did David Guetta get interesting again? Genuine question, because “Engage” has no business being this good. It’s a collaboration with Marten Hørger and Men Machine that features Vitalic, and if you know Vitalic’s “La Rock 01” you already know the exact brand of buzzsaw electro-bass this is reaching for. The whole thing is built on that filthy, distorted French-electro lead, the sound that ate dancefloors in 2007 and apparently never fully died. Guetta’s usually the guy sanding these sounds down for the pop charts, so hearing him lean into something this aggressive and analog is a genuine shock. The drop is all snarl and no gloss, a nasty saw-bass riff that stomps where his radio hits usually shimmer. It’s got that Justice-adjacent grime to it, the dirt EDM mostly forgot how to make. That Guetta’s name is on something this feral is the surprise of my week. Filed under...
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