Meant to have this on as background while I cleaned the flat, and promptly did not clean the flat. “Tranceformation” is a big-room-meets-trance hybrid with a title so shameless I have no choice but to respect it. Kevin D’Angello and Doppenberg go straight for the euphoric jugular: a soaring supersaw lead, a build that keeps stacking well past the point of reason, and a drop engineered to level a main stage at peak time. It’s maximalist to the edge of absurdity and completely committed to the bit. The trance side turns up in the big emotional breakdown, the kind that hands forty thousand phone-torches something to sway to before the beat comes crashing back. This is sheer size treated as a value in itself, and on that one front it lands a clean knockout. I don’t reach for this style often, but every so often you want a track that...
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August 02, 2026 at 11:07 AM 1 min read
Kevin D'Angello & Doppenberg - Tranceformation
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August 02, 2026 at 10:34 AM
1 min read
Rollers: Drum and Bass for the Motorway and the Field
Read more . . . →Summer at 174 bpm hits different. Three drum and bass tracks for windows down, foot heavy, festival or motorway, whichever gets you there faster. 1. Sub Focus, Wilkinson - Air I Breathe Sub Focus and Wilkinson have been doing this together for over a decade and they still make it sound effortless. Huge vocal, production so clean you could eat off it, and a drop that just rolls forward without ever showing off. This is the one for the last hour of a long drive when you need the car to feel like it’s flying. 2. Kanine - Bloodstream Kanine has quietly become one of the most dependable names in the newer DnB wave, and Bloodstream is all momentum and no fat. The kind of roller that makes 174 feel like a cruising speed instead of a sprint. Put it on and watch your speedometer creep up without permission. 3....
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August 02, 2026 at 7:15 AM
3 min read
This Week on coldplaysucks — July 26–August 2
Read more . . . →August started and the genres split the week dead even — DnB, dubstep, and house each pulled seven posts, trance and trap held their corners with three apiece, and the rest landed across a wide sprawl of electronic that runs from future bass to big room to whatever Slow Magic is doing. Thirty-six tracks, no clear winner. Good week. Track of the Week Ninajirachi, Porter Robinson - WannaCry Named after the ransomware, and yes, that’s the kind of title choice that tells you exactly what you’re getting. Sugar-rush synths and pitched vocals that land as actual emotion, kept weird by Ninajirachi’s production refusing to smooth anything over. There’s a breakdown where everything drops to a single vocal and a heartbeat kick, and it’s the part I keep going back to. This sounds like how the future used to sound, before it got optimized. Listen → The New Drops Drum &...
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August 02, 2026 at 6:34 AM
1 min read
He Fired the Guards and Blamed the Neighbors
Read more . . . →Trump went on camera this week and blamed Minnesota for getting hacked. Not Iran, whose state-aligned hackers the FBI is actively investigating. Not his own administration, which fired a third of CISA’s workforce and is trying to slash another $700 million from the cybersecurity budget. Minnesota. Because they have a Democratic governor, and that’s apparently how threat attribution works now — not by forensic evidence, but by party affiliation. Hackers hit water systems in seven states starting July 27. Thirty-six municipal water systems in Minnesota alone — the kind of infrastructure where failure means people can’t drink the water. DOGE gutted the agency whose entire job was preventing this. They fired the red team staffers, the people who simulate attacks so the real ones don’t land. Then when the real ones landed, the president sat at Camp David and called the victims “grossly incompetent.” Cut the budget, fire the workers,...
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August 01, 2026 at 7:05 PM 1 min read
Kisnou & Blure - Falling Deeper
Read more . . . →I’ll just say it plainly: this is the prettiest record I’ve put on in weeks. Kisnou makes these sweeping, cinematic melodic tracks that feel purpose-built for standing on a cliff at sunrise, and “Falling Deeper” with Blure is him at his most widescreen yet. It opens on a vocal that sounds like it was sung at the far end of an enormous empty hall, then slowly stacks strings and a soft four-on-the-floor pulse beneath it until the whole thing turns genuinely enormous without ever once getting loud. There’s no drop in the drop-the-bass sense; the payoff is entirely emotional, a slow swell where every layer arrives at the same instant and your chest does something involuntary before your brain catches up. I’m a total sucker for this stuff and I’m well aware of it. Music this earnest could tip straight into sentimental mush in lesser hands, and Kisnou keeps it...
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August 01, 2026 at 4:11 PM 1 min read
Silver Bullet - HIGHER
Read more . . . →NCS tracks live or die on the hook, and “HIGHER” has one that lodges itself immediately. Silver Bullet builds the whole thing around a vocal that soars into the drop with real momentum, and the production sitting underneath is cleaner and punchier than a lot of the copyright-free stuff that fills that catalogue. There’s a melodic-dubstep tilt to the drop, big detuned synths and a half-time switch that hands it weight without ever going full heavy. It’s unabashedly anthemic, aimed squarely at gaming streams and hype montages, and it does that job with more polish than it strictly had to. The little vocal-chop run right before the second drop at 2:00 is the kind of small detail that separates a track pulling millions of plays from one that scrapes a few thousand. Nobody’s reinventing the genre here, but reinvention was never the assignment. It’s a clean, hooky, high-energy record that...
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August 01, 2026 at 2:22 PM 1 min read
longstoryshort & Skybreak - WHIPLASH
Read more . . . →The drum fill that kicks off the second drop crams something like sixteen hits into a space most producers would fill with four, and that’s the exact moment “Whiplash” earns its name. Skybreak lives for this kind of hyper-detailed, faintly deranged sound design, and teaming with longstoryshort tightens it into something you can actually move to rather than only marvel at. It’s deep dubstep with a bad glitch habit, half-time weight down low and a top layer that stutters and skips like a scratched CD fighting for its life. The bass in the first drop has a wet, elastic snap I keep rewinding purely to hear it flex again. There’s so much happening that the first listen is pure sensory overload; it took me three passes to even hear the melody hiding under all the mechanical clatter, and it turns out to be a good one. This is music for...
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August 01, 2026 at 12:31 PM 1 min read
ROY KNOX - Falling 4 U
Read more . . . →Picture the exact melodic-bass track you’d want soundtracking the end credits of a game you just beat at 3am, and ROY KNOX have basically built it. “Falling 4 U” runs on a bright, wistful vocal and a drop that swells rather than slams, melodic dubstep with the aggression sanded right down to something closer to yearning. The duo have a real handle on emotional lift; the way the vocal cracks slightly right before the drop at 1:30 is a tiny detail doing an enormous amount of work. It’s NCS-catalogue stuff, made for streams and montages, and there’s zero cynicism in me saying that, because this kind of track quietly soundtracks a genuinely huge amount of people’s actual lives. The chord progression is textbook bittersweet and I mean that as full praise; it works precisely because it’s honest about what it’s chasing. Warm, clean, a little sad in the best possible...
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August 01, 2026 at 10:42 AM 1 min read
Omar Duro - Over It
Read more . . . →Trance is having a genuine moment again, and tracks like “Over It” are exactly why. Omar Duro built this one for the precise instant at 3am when the lights come all the way up and everyone suddenly remembers why they came out. It’s got the classic uplifting-trance architecture: a long patient build, a breakdown that holds its tension a beat longer than feels comfortable, then a release aimed straight at the tear ducts. The lead melody is huge and shamelessly emotional, the kind of thing that would be corny in any other genre and is the whole entire point in this one. What keeps it from tipping into pure cheese is the low-end drive underneath; it works your feet while the melody goes to work on your chest. I actually stopped what I was doing at the drop, which more or less never happens on the fifth play of a...
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August 01, 2026 at 10:34 AM 1 min read
After Hours: When Summer Gets Dark and Weird
Read more . . . →Golden hour ends and the good part begins. Three tracks for the stretch after midnight, when the melodic techno crowd takes the tent and everyone’s already made at least two choices they’ll be explaining on Monday. 1. Anyma & Grimes - Welcome To The Opera This is what the after-hours stage sounds like when it fully commits to the bit. Grimes floating over Anyma’s production is genuinely eerie, and the drop arrives like a cathedral being pushed over slowly. It’s built for the 3am version of you, the one that thinks the giant robot visuals are speaking directly to your soul. 2. Fred again.., Skrillex, Four Tet - Baby again.. Three producers who by all rights should cancel each other out, and instead they made the single biggest moment at every festival for two years running. The build goes on so long it becomes almost cruel. When it finally lets...
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