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    • 1 min read

      Seventeen Said It Out Loud

      Seventeen Conservative MPs told CTV, off the record, that they don’t think Pierre Poilievre can beat Mark Carney. Not two backbenchers griping into a pint glass. Seventeen elected members of his own caucus, speaking to a camera crew, saying out loud what the polling has been screaming since spring: the man is underwater. His favourability sits at 34 percent. His unfavourability is 52. Carney leads him on every single policy question pollsters can think to ask — cost of living, housing, trade, health care — by gaps of nine to fourteen points. The Liberals are up 43 to 34 nationally. These are not close numbers being spun by a hostile press. These are numbers that make campaign managers update their LinkedIn. Poilievre’s response was to tell his caucus they should “fight for Canadians.” Which is what every politician says when they have nothing left to say. His strongest defenders are...

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    • 3 min read

      This Week on coldplaysucks — Aug 10–16

      Eighteen tracks dropped and every single one landed on Saturday. DnB brought actual names, dubstep got genuinely strange in the right direction, and two separate DENIAL cuts proved that techno built on one bullied note can be the scariest thing in any room. Quiet week on paper. Loud week on speakers. Track of the Week Andy C - Come Together (ft. Mali Koa) Andy C made a vocal drum and bass record that sounds like it was designed to detonate forty thousand people at dusk, and it does not miss. Mali Koa sings it like a real vocalist, not a topline hired by the hour, and the drop has just enough grit in the bassline to stop the whole thing from tipping into an advert. This is going to be everywhere by September, and for once the ubiquity will be completely earned. Listen → The New Drops DnB (4 posts)...

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    • 3 min read

      This Week on coldplaysucks — Aug 10–16

      Eighteen tracks dropped and every single one landed on Saturday. DnB brought actual names, dubstep got genuinely strange in the right direction, and two separate DENIAL cuts proved that techno built on one bullied note can be the scariest thing in any room. Quiet week on paper. Loud week on speakers. Track of the Week Andy C - Come Together (ft. Mali Koa) Andy C made a vocal drum and bass record that sounds like it was designed to detonate forty thousand people at dusk, and it does not miss. Mali Koa sings it like a real vocalist, not a topline hired by the hour, and the drop has just enough grit in the bassline to stop the whole thing from tipping into an advert. This is going to be everywhere by September, and for once the ubiquity will be completely earned. Listen → The New Drops DnB (4 posts)...

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    • 1 min read

      312 to 1 and Nobody Blinked

      The AFL-CIO dropped its annual number this week: 312. That’s how many times the average S&P 500 CEO out-earned the median American worker last year. It was 285 the year before. Average package: $22.8 million. Average worker: $73,000. One of these people sat in meetings. The other one did the work those meetings were about. CEO pay went up 21% in a single year while the people who generate the revenue got whatever their annual review felt like giving them. Then there’s Musk, who broke the spreadsheet entirely. His Tesla comp package was $158 billion — fourteen times the total pay of every other S&P 500 CEO combined. All 499 of them could pool their checks and his pile would still be fourteen of theirs. A court blocked it. He got it anyway. Tesla’s board called it alignment of incentives. The incentive, apparently, is to never stop. Nobody stocking shelves...

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    • The Second Voice - LET ME BE (Hypaton Remix)
      1 min read

      The Second Voice - LET ME BE (Hypaton Remix)

      Give this one about ninety seconds before you write it off. “LET ME BE” opens like standard melodic-dance filler, pretty vocal, big supersaw chords, the sort of thing scoring a phone ad, and then the Hypaton remix earns its keep at the drop, which is meaner and more mechanical than the intro lets on. Hypaton has a knack for taking euphoric source material and bolting a harder, almost tech-leaning spine underneath it, and that’s exactly the move here. The vocal stays emotive up top while the bottom half turns into a proper stomping groove, and the tension between those halves is the reason to stick around. On its own the topline would be forgettable. The remix is what makes it a club record. The drop has a genuine snap that got my head nodding before I’d decided whether I liked it, which is the most honest endorsement I’ve got. Better...

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    • 1 min read

      The Country That Invented Labor Day Is on a Watchlist Now

      The International Trade Union Confederation put the United States on its Global Rights Watchlist this year. First time ever. The category is “systemic violations of worker rights.” The ITUC represents 200 million workers across 169 countries, and they looked at a nation that stripped collective bargaining from over a million federal employees by executive order and said yeah, that belongs on the list. The same kind of list the US waves around when it wants labor provisions in a trade deal. The ITUC called it “perhaps the biggest act of union busting in the nation’s history.” Not one union. Not one industry. The entire federal workforce, overnight, by memo. Secretary Hegseth sent it. Management terminated the agreements. A million people woke up and their union was decorative. The House passed a bipartisan bill to restore those rights, 231 to 195, which means nothing because it’ll sit in the Senate until...

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    • Stryv - Patigo (Extended Mix)
      1 min read

      Stryv - Patigo (Extended Mix)

      Afro house is eating everyone’s lunch right now, and tracks like this are why. “Patigo” is Stryv working that rolling, percussive Afro-house groove, all congas and shakers and a bassline that bounces on the offbeat until your hips give in and do the same. The extended mix gives it room to breathe, seven-plus minutes of gradual build where a DJ can lock a floor into a hypnotic state without ever hitting a big obvious drop. That’s the trick of this sound: it rolls rather than peaks, relentless and circular, the kind of groove you look up from and realise you’ve been moving to for ten minutes straight. A vocal chant phases in and out, more texture than lyric, and a log-drum melody sits at the centre of it, the current sound of dancefloors from Ibiza to South Africa. I’m a recent convert to this whole wave, and tracks like “Patigo”...

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    • SILK x Cat Dealers x HRRTZ - Hear U
      1 min read

      SILK x Cat Dealers x HRRTZ - Hear U

      This is a summer track that turned up right as summer’s leaving, and it stings a little. “Hear U” pairs SILK, Cat Dealers, and HRRTZ for a bright, festival-facing dance tune with a Brazilian bounce in its bones, and Cat Dealers can’t help bringing that sunlit, hands-up energy to everything they touch. The vocal hook lands at 1:12, the kind of simple, wordless topline built to be sung back by a field of people who don’t share a language. Underneath it the groove is deceptively springy, a plucky bass that keeps the whole thing from feeling as generic as the ingredient list might suggest. It’s polished to a high shine and unapologetically commercial, and on the right afternoon that is precisely what I want from a track. I can hear exactly where a DJ would drop this to send a crowd over the edge, and I’d forgive them entirely. It...

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    • Drumcode: Adam Beyer's Techno Empire
      4 min read

      Drumcode: Adam Beyer's Techno Empire

      Drumcode is Adam Beyer's Stockholm techno label: one man, one sound, 30 years, and the discipline to never blink. The most single-minded bet in techno.
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    • Said The Sky, ILLENIUM & Heather Sommer - When The Light Breaks
      1 min read

      Said The Sky, ILLENIUM & Heather Sommer - When The Light Breaks

      This is going to be enormous and there’s no point pretending otherwise. Said The Sky and ILLENIUM are the two producers who basically built the modern melodic-bass sound, the one where emo-adjacent vocals meet a drop designed to make a stadium cry, and “When The Light Breaks” is them running it at full power with Heather Sommer carrying the roof. You know the shape: an aching build, a beat of silence, then a drop that’s more emotional than heavy. It works because Sommer is genuinely great rather than a topline placeholder. There’s a crack in her delivery on the final chorus that does more than any synth on the track, a tiny break in the voice right where the melody peaks, and it’s the thing I keep rewinding to. The guitar-tinged lead in the second drop is the ILLENIUM fingerprint, and I’ve long since stopped resisting it. Yes, these two...

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WE COULDN'T SHUT UP ABOUT THESE

Editor's picks

the one we couldn't shut up about

Raise Your Weapon

deadmau5

The transition at 4:00 is the whole point. Coldplay would never.

shoplift it from a friend

The One

Swedish House Mafia · Pharrell

Exactly as big and as dumb as it needs to be. Volume up.

quiet correction

The Grudge (live)

Chilly Gonzales

Electronic doesn't have to mean loud. Eleven minutes, all of them.

first set of four

Ritual Ottawa, Dec 2

Skrillex

Recorded off the booth feed. He played Scary Monsters before it was Scary Monsters.

paper romance

Paper Romance

Groove Armada

Genre-hopping with a new crew of vocalists. It still works.

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