• RSS

    • Ben Remember - Truth
      1 min read

      Ben Remember - Truth

      You already know if this is your kind of thing by the second bar, which is exactly what good tech house should do. Ben Remember’s “Truth” on Toolroom is peak-time tech-house with zero wasted motion: a relentless rolling bassline, a chopped vocal stab repeating the title, and a groove that simply does not let up for the entire runtime. This is functional dancefloor music in the best sense, made by someone who clearly knows precisely what a DJ needs at 1am when the floor’s full and the energy has to keep climbing. The bassline has that rubbery, hypnotic bounce Toolroom has basically trademarked, and the vocal hook is annoying in the specific way that means you’ll be muttering it in the shower tomorrow. There’s a filter sweep before the breakdown that’s older than I am as a trick and lands perfectly regardless. Tech house this tight is why the genre...

      Read more . . . →
      Weekly digest
      One email per week with the tracks worth your time. No spam, no Coldplay.
      Subscribe →
    • Justė - Just A Little (feat. Sam Harper)
      1 min read

      Justė - Just A Little (feat. Sam Harper)

      Justė and Sam Harper's 'Just A Little' is engineered to be inoffensive and somehow has real teeth. Three minutes of pure sugar.
      Read more . . . →
      Weekly digest
      Sundays. One email. Zero ballads from white guys in beanies.
      Subscribe →
    • Circadian - Energy In Motion (A.M.C Remix)
      1 min read

      Circadian - Energy In Motion (A.M.C Remix)

      Some remixes politely improve on the original. A.M.C just bulldozes Circadian’s “Energy In Motion” flat and builds something meaner on the rubble. The man is a machine-gun on the drums, and this remix is him at full tilt: a bassline that snarls and reloads, drums so tight they sound programmed by someone holding a grudge. This is the aggressive end of dnb, the neuro-tinged jump-up stuff that clears the casual listeners out of the room and leaves the goblins up front. The second drop flips the bass pattern just when you’ve gotten comfortable, which is the whole art of this style. It’s ugly and precise and mean, built to detonate a rave at 1am and do nothing else with its life. A.M.C has been the reference point for technical dnb for years and tracks like this are the reason why. Get it on a big rig, turn it up past...

      Read more . . . →
      Weekly digest
      What you missed this week, minus the corporate emo.
      Subscribe →
    • Jai Wolf, SAYAK DAS - Bad Habit
      1 min read

      Jai Wolf, SAYAK DAS - Bad Habit

      Jai Wolf and SAYAK DAS get grittier than the gauzy festival-sunrise sound he's known for. There's a kalimba through a broken amp in here.
      Read more . . . →
      Support the blog
      Some shirts are statements. This one is a verdict.
      Get the tee →
    • Two Tracks That Broke the Genre Field
      1 min read

      Two Tracks That Broke the Genre Field

      There’s a Brazilian funk vocal buried inside a modular techno track and it heads Mixmag’s best-of list for 2026 so far. There’s a house record on a Ninja Tune imprint that sounds like it was assembled across three time zones at once. Two tracks this week with no fixed address, and both of them are better for the homelessness. 1. Skrillex, Randomer, Blawan & MC Dricka - Thistle This was floating around DJ sets for years before its proper release in May, and the wait was the right call. Blawan’s shredded metallic textures, Randomer’s chopped drum programming, MC Dricka’s Brazilian funk bars, and Skrillex holding the seams — four separate records happening at once, and nobody tried to smooth them into one. It dropped ahead of CONTRA at Kraftwerk Berlin, and that venue is exactly the right room for it — concrete walls and nowhere for the bass to hide....

      Read more . . . →
      Support the blog
      Made for people who left the room during Yellow.
      Get the tee →
    • GROUPLOVE x Snakehips - Tongue Tied 2026
      1 min read

      GROUPLOVE x Snakehips - Tongue Tied 2026

      Does the world need a dance remake of “Tongue Tied” fifteen years on? I asked that too, then played it four times, so apparently yes. GROUPLOVE’s 2011 original scored every coming-of-age trailer of that era, and Snakehips have flipped it into a proper 2026 club track without gutting what made it work. The “take-take-take” hook is still there, still absurdly catchy, now riding a garage-leaning beat with a bassline they clearly had a blast building. Hearing that chorus over a modern low end is a genuine time-warp for anyone who was around the first time. I got a jolt of being nineteen the second it kicked in. The remix keeps the ramshackle, hand-clappy charm of the original instead of steamrolling it into generic festival goo, which was the exact thing I feared they’d sand off. Snakehips kept the joy and added weight, which is the only way a remake like...

      Read more . . . →
      Support the blog
      If you wear this and someone hugs you, that's a real friend.
      Get the tee →
    • David Guetta, Marten Hørger & Men Machine - Engage (feat. Vitalic)
      1 min read

      David Guetta, Marten Hørger & Men Machine - Engage (feat. Vitalic)

      When did David Guetta get interesting again? Genuine question, because “Engage” has no business being this good. It’s a collaboration with Marten Hørger and Men Machine that features Vitalic, and if you know Vitalic’s “La Rock 01” you already know the exact brand of buzzsaw electro-bass this is reaching for. The whole thing is built on that filthy, distorted French-electro lead, the sound that ate dancefloors in 2007 and apparently never fully died. Guetta’s usually the guy sanding these sounds down for the pop charts, so hearing him lean into something this aggressive and analog is a genuine shock. The drop is all snarl and no gloss, a nasty saw-bass riff that stomps where his radio hits usually shimmer. It’s got that Justice-adjacent grime to it, the dirt EDM mostly forgot how to make. That Guetta’s name is on something this feral is the surprise of my week. Filed under...

      Read more . . . →
      Support the blog
      Looks like Helvetica. Sounds like a closing argument.
      Get the tee →
    • gabriawll - One Day
      1 min read

      gabriawll - One Day

      gabriawll's 'One Day' is a small heartbreak with a beat under it. Some days you just want the track that makes you sad on purpose.
      Read more . . . →
      Support the blog
      Three words. One opinion. Cotton.
      Get the tee →
    • 1 min read

      They Fired You and Blamed the Robot

      Almost six out of ten companies now admit they frame layoffs as “AI-driven” when the real reason is financial. Straight up. Into a survey. Block fired forty percent of its workforce and the stock jumped twenty-four percent the same day. Dorsey posted $2.87 billion in gross profit that quarter. Cloudflare axed eleven hundred people — a fifth of the company — while reporting record revenue up thirty-four percent. These aren’t companies in trouble. These are companies doing better than ever who figured out Wall Street pays you more per share when you have fewer employees. Meta’s internal memos said the layoffs “enable the company to offset the cost of AI investments.” Not that AI does the work. That firing people funds the hardware. Seven hundred billion dollars in AI infrastructure spending this year, industry-wide, backed by headcount reductions at companies that have never been more profitable. Your job didn’t get...

      Read more . . . →
      Support the blog
      What if your laundry was also a personality?
      Get the tee →
    • Garnic - Wake Up
      1 min read

      Garnic - Wake Up

      If you spent any time gaming in the last ten years, you already know the NCS sound in your bones even if you never learned the label’s name. Garnic’s “Wake Up” is a clean shot of exactly that: melodic, big-hearted electronic music engineered to soundtrack a montage. The vocal is anthemic and just vague enough to be about whatever you need it to be about, which is half the genre’s trick. The drop is bright and driving, built on a plucky lead that lodges in your head on the very first pass. It’s unpretentious to the bone and completely unbothered about that fact. NCS gets dunked on by people who think enjoying things is embarrassing, and Garnic makes their snobbery look exhausting. The breakdown has a genuinely pretty piano moment before the second drop kicks the door back in. Stick it on next time you need to trick your brain...

      Read more . . . →
      Support the blog
      Ships in 3–5 days. The outrage ships immediately.
      Get the tee →
WE COULDN'T SHUT UP ABOUT THESE

Editor's picks

the one we couldn't shut up about

Raise Your Weapon

deadmau5

The transition at 4:00 is the whole point. Coldplay would never.

shoplift it from a friend

The One

Swedish House Mafia · Pharrell

Exactly as big and as dumb as it needs to be. Volume up.

quiet correction

The Grudge (live)

Chilly Gonzales

Electronic doesn't have to mean loud. Eleven minutes, all of them.

first set of four

Ritual Ottawa, Dec 2

Skrillex

Recorded off the booth feed. He played Scary Monsters before it was Scary Monsters.

paper romance

Paper Romance

Groove Armada

Genre-hopping with a new crew of vocalists. It still works.

POKE AROUND

Browse by genre

EVERYTHING WE TAG

The tag cloud

No tags yet.

ARTISTS, A → Z

Artist index

Music that sucks doesn't suck.

Weekly mailout. Hand-picked. We hate Coldplay, not your inbox.

UNSUBSCRIBE WHENEVER · NO SPAM · NO TRACKING PIXELS

Post Activity