Let’s Go is built on a synth arp that burrows into your brain around the one-minute mark and refuses to leave, which is exactly the kind of patient, hypnotic progression mau5trap built its reputation on. Kbob understands that progressive house lives or dies on the gradual reveal, the way a track adds one element at a time until you look up and realise it’s become enormous without any single obvious drop. There’s a deadmau5 influence all over the melodic sensibility here, that cold and precise prettiness, but Kbob brings enough of his own personality that it never feels like an impression. The track takes its time, content to simmer for two full minutes before it shows its hand. When the main melody finally arrives in full it lands with real weight precisely because of that restraint. This is headphones-and-a-long-walk music as much as it’s club music. The low end is...
-
RSS
-
July 03, 2026 at 12:24 PM 1 min read
Kbob - Let's Go
Read more . . . →Subscribe →Weekly digestOne email per week with the tracks worth your time. No spam, no Coldplay. -
July 03, 2026 at 11:38 AM
1 min read
The Fake Cat Nobody Could Switch Off
Read more . . . →On Friday June 12, at 5:21pm ET, the US government handed Anthropic an export-control directive: cut off Fable 5 and Mythos 5 for any foreign national, anywhere, in the country or out, including Anthropic’s own foreign-national staff. You can’t check the passport of hundreds of millions of users in real time, so Anthropic did the only compliant thing and pulled both models for everybody. Its statement pinned it on “the US government, citing national security authorities.” NBC named Commerce Secretary Howard Lutnick and the Bureau of Industry and Security; Bloomberg later published the letter. Anthropic says it disagrees and chalks the whole thing up to a misunderstanding. It notes the same capability is sitting in other models anyway, OpenAI’s GPT-5.5 included, and swears it’ll restore access as soon as it can. It stayed dark for weeks. That same week, look what the internet did. A pile of people on X...
Subscribe →Weekly digestSundays. One email. Zero ballads from white guys in beanies. -
July 03, 2026 at 9:32 AM 1 min read
2ACES - All Night (What It Feels Like)
Read more . . . →Big-room house is supposed to be dead, someone forgot to tell 2ACES. All Night is unapologetic festival fare off Revealed, the kind of track engineered for a specific moment when the sun’s going down and forty thousand people put their hands up at once. The vocal hook is enormous and slightly generic in the way these things always are, but the build into the drop at 1:20 is executed so cleanly that I stopped caring about originality halfway through. There’s a craft to making something this maximal without it collapsing into cheese, and these two thread that needle better than most of the Revealed roster. The drop is all sawtooth stabs and a kick you feel in your sternum, engineered with the subtlety of a fireworks display and about as much fun. Big-room lives or dies on whether the producer commits, and 2ACES commit completely. Not everything needs to be...
Subscribe →Weekly digestWhat you missed this week, minus the corporate emo. -
July 03, 2026 at 6:58 AM
1 min read
Get Out of the Way, Says the Guy Who Wants You to Pay for It
Read more . . . →Yesterday Danielle Smith and Mark Carney rolled out a bitumen pipeline from Bruderheim, Alberta down to the BC coast — a line that’ll run somewhere between $35 and $44 billion depending on which contingency number you believe. Right on cue, Pierre Poilievre showed up to do the one thing he still knows how to do: blame Carney and cheer for oil. “You got one guy standing in the way of it all, and that’s Mark Carney,” he said. “Provide the permit, let the private sector build it, get out of the way and get it done.” Stirring stuff. One problem. The private sector isn’t building it. The company leading the job is Trans Mountain Corp, which is owned by the federal government, which is to say owned by you. The market already had a shot at a pipeline down this exact corridor and ran for the exits — which is...
Get the tee →Support the blogSome shirts are statements. This one is a verdict. -
July 02, 2026 at 9:25 PM 1 min read
KIMMIC - Where Do We Go
Read more . . . →Where do we go from a chorus this big? KIMMIC doesn’t seem to know either, and that restlessness is what makes the track worth your time. It opens like standard uplifting trance, the kind that telegraphs every move thirty seconds ahead, and then around the two-minute mark it does something I didn’t see coming with the breakdown, pulling the energy down into near-silence before rebuilding it from a single plucked melody. That patience is rare in a genre that usually sprints to the payoff. The vocal is emotive without spilling into melodrama, sitting in the sweet spot trance has always done best. There’s a real craft in making something this euphoric without letting it curdle into cheese, and KIMMIC keeps it on the right side of that line for the full six minutes. When the final drop hits it feels earned rather than scheduled, and that distinction is the whole...
Get the tee →Support the blogMade for people who left the room during Yellow. -
July 02, 2026 at 3:39 PM 1 min read
Knock2 - JUMP in
Read more . . . →Knock2 has quietly become one of the most reliable names in the festival-trap-meets-house lane, and JUMP in is another reason why. The man understands momentum better than almost anyone working this sound right now, the way a track needs to keep moving forward or die. This one rides a bouncing bassline that practically demands the titular response, with a build at 1:40 that coils up so tight you can feel the drop coming in your teeth. What I appreciate is the economy of it, no wasted bars, no filler section where he’s vamping until the next idea arrives. Every part earns its place. His stuff always sounds expensive in a way that a lot of his peers can’t quite replicate, clean low end and a sense of space around every element. I’ve watched clips of this one going off live and the crowd reaction tracks with how it feels on...
Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
July 02, 2026 at 11:14 AM 1 min read
LÖVI - Virtual Love 2001
Read more . . . →There’s a very specific kind of nostalgia that only works if you commit to it completely, and Virtual Love 2001 commits hard. LÖVI leans all the way into early-2000s trance-pop signifiers, the supersaw stabs and the slightly cheesy vocal hook, and somehow it reads as sincere rather than ironic. That sincerity is the reason it works on me. The melody at the chorus is the kind of thing that would have been a Eurodance radio smash twenty years ago, and hearing it now feels like finding a mixtape you forgot you made. NCS catches a lot of flak for being playlist filler, but every so often something genuinely charming slips through their pipeline and this is one of those. The production is cleaner than the era it’s referencing ever managed, which is sort of the point of a throwback done right. It won’t change your life and it isn’t trying...
Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
July 02, 2026 at 7:10 AM 1 min read
LAR - Rewind
Read more . . . →LAR has a real feel for the slow burn, and Rewind is patient in a way that pays off if you actually let it. It’s deep house built for the small hours — hypnotic, understated, far more interested in groove and texture than in any big dramatic moment. The hook works by repetition, looping just long enough to lodge itself somewhere behind your eyes before a subtle shift quietly pulls you forward. The Anjunadeep world is the obvious home for this kind of restrained, atmospheric thing, and LAR fits the brief without ever sounding interchangeable with the rest of the roster. There’s a warmth to the low end that keeps it from feeling cold or clinical the way a lot of minimal deep house drifts into. This is music for the part of the night when the lights are low and nobody’s checking the time anymore. Smooth, immersive, and best...
Get the tee →Support the blogThree words. One opinion. Cotton. -
July 02, 2026 at 6:59 AM
1 min read
PECO Made $814 Million. Its Workers Are Striking on the Fourth of July.
Read more . . . →For the first time in more than a hundred years, the people who keep the lights on in Philadelphia are walking off the job. At 12:01 AM on July 4, roughly 1,600 PECO workers — the linemen and gas techs who climb the poles in the storms you’re hiding from — go on strike. They’re not asking for a yacht. They want pay that matches what the same job earns at every other utility, and an end to a two-tier retirement scheme that quietly shortchanges anyone hired after some arbitrary cutoff. PECO’s answer, across five months of talking, was a shrug dressed up as a 20% raise stretched over the whole contract. Here’s the part that should make you throw something. PECO cleared $814 million in profit last year — up almost 48%. It booked another $278 million in the first quarter of 2026 alone. Exelon, the parent company, handed...
Get the tee →Support the blogWhat if your laundry was also a personality? -
July 01, 2026 at 8:15 PM 1 min read
Mesto - Listen To Me
Read more . . . →Mesto has been refining this bright, bouncy strain of house for years and Listen To Me might be the most fully realised version yet. The man has a gift for melodies that feel like sunlight, and this one rides a plucky lead that’s almost annoyingly catchy before the vocal even arrives. There’s a future-bounce snap to the drop, that signature rubber-band rhythm he helped popularise alongside Brooks and Mike Williams back in the day, and it still sounds fresh because he keeps tightening the screws on it. What gets me is how effortless the whole thing sounds, like the track always existed and he just transcribed it. The vocal hook is the kind of thing you’ll be humming against your will by the second chorus. It’s relentlessly positive in a way that could read as saccharine from a lesser producer, but Mesto sells it because he clearly means it. Not...
Get the tee →Support the blogShips in 3–5 days. The outrage ships immediately.
-
