Raphi keeps it lean and effective on Giving U, and there’s something refreshing about a dance track that just gets on with it. No twelve-layer build, no manufactured drama — a clean hook, a groove that moves, and a vocal that does its job and gets politely out of the way. Spinnin releases live and die on this kind of immediacy, the song that works on first listen at a festival without needing a backstory or a lore video. The production is crisp and bright, mixed for big speakers and afternoon sun. It’s not reinventing anything and it isn’t pretending to; what it’s trying to do is make you move, and it succeeds without breaking a sweat. There’s a real skill in this kind of restraint, knowing exactly which elements to keep and which to cut before the track gets cluttered. An easy add to a summer playlist, and the...
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June 29, 2026 at 10:49 AM
1 min read
Raphi - Giving U
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June 29, 2026 at 9:32 AM
1 min read
Body Ocean & Matsu - Fall To The Ceiling
Read more . . . →Fall To The Ceiling earns its upside-down title with a drop that genuinely disorients you the first time, flipping the rhythmic emphasis so you lose track of where the downbeat is for a couple of bars. Body Ocean & Matsu clearly enjoy messing with your sense of gravity here. Where their other Dirtybird cut rides a straightforward bounce, this one is weirder and more interesting, full of off-kilter percussion and a bassline that seems to fall away just when you expect it to land. That tension between expectation and what actually happens is the entire appeal. It’s tech house for people who’ve heard ten thousand tech house tracks and want one that still surprises them. The vocal is minimal, just a few processed words used more as percussion than melody, which suits the disorienting feel perfectly. I keep catching myself trying to nod along on the wrong beat and that’s...
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June 29, 2026 at 7:46 AM
1 min read
Defqon.1 is this week and the labels just emptied the armory
Read more . . . →Gates open at Biddinghuizen this week and the release schedule clearly knows it. Every label with a stake in the weekend dumped its heaviest stuff in the last few days, so right now your feed is about 90% kick drums and a guy screaming about a sacred oath. Here’s what actually clawed its way out of that pile: five fresh drops that’ll go off in the field before the anthem even hits. 1. Adaro & Unresolved - Original Gangsters (Raw and Mean) Two rawstyle lifers who somehow never made a track together until last week. It’s exactly what “no hypes, no tricks” promises: a kick that sounds like a door getting kicked in, and zero interest in being your festival singalong. Good. 2. Kruelty - I AM YOUR END This is where the hardcore stage earns its reputation. European raw bolted onto Japanese hardcore, snares coming at you like someone...
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June 29, 2026 at 7:46 AM
2 min read
They Voided 30,000 People's Stock, Then Handed The New CFO $26 Million Of It
Read more . . . →This spring Oracle fired up to 30,000 people, most of them by early-morning email, and booked something like $2.1 billion in restructuring costs to do it. The number that matters isn’t the headcount, though — it’s the fine print on how they were cut loose. Under Oracle’s severance terms, anyone laid off lost their unvested restricted stock the instant they were terminated. Whatever stock had already vested, you kept, sitting in your Fidelity account. Everything you’d been promised and hadn’t yet crossed the finish line on simply evaporated the moment HR hit send. Workers on Blind and TheLayoff started comparing notes and noticed how many of them had been cut weeks or months before a vesting date. A thirty-year veteran posted that the layoffs seemed to track people with outstanding stock options; she walked it back later, said she had no inside knowledge, only that it matched what everyone around...
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June 28, 2026 at 8:21 PM
1 min read
saka - styx!
Read more . . . →Two and a half minutes of saka deciding that subtlety is for other people. styx! opens on this almost-pretty melodic feint and then guts it with a bassline that sounds like a server room catching fire. What I like is how little fat there is on it — no eight-bar runway, no polite intro, just straight into the mess. UKF have been leaning harder into this newer, weirder strain of dubstep lately and saka is one of the names making that bet pay off. There’s a confidence in leaving that much empty space around the low end, trusting the sound design to land without a wall of extra noise propping it up. It’s not built for a festival singalong; it’s built for headphones and questionable life decisions. That restraint is the hard way to make heavy music work and the only way that actually lasts. I’ve already sent it to...
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June 28, 2026 at 4:41 PM
1 min read
Spinnin' Sessions Radio - Episode #685
Read more . . . →An hour-long label radio mix is a different proposition from a single track, and Spinnin Sessions has settled into being a reliable temperature check on where commercial dance is pointing right now. Episode 685 rolls through the current crop of big-room, festival-leaning records with the kind of momentum that makes it good fuel for a workout or a long drive where you’re not paying close attention. You won’t agree with every selection — that’s the nature of a label showcasing its own roster — but the tracklist doubles as a useful map of what’s about to be everywhere this summer. I treat these more as discovery tools than start-to-finish listens, skipping in to catch the IDs worth chasing and skipping back out when it dips. The mixing is clean and the energy stays consistently up, which is really all you need from a format like this. Throw it on, let...
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June 28, 2026 at 1:19 PM
1 min read
Subsonic & Lauren L'aimant - Out Of My Head
Read more . . . →There’s a specific feeling when a liquid-leaning DnB track gets the vocal exactly right, and Out Of My Head sits right in that pocket. Lauren L’aimant’s top line is wistful without being weepy, and Subsonic gives it room to breathe before the drums come in and lift the whole thing off the floor. The contrast is the trick: the melody wants you to feel something, the rhythm wants you to move, and the track flatly refuses to choose between them. I keep coming back to the breakdown, where it strips down to almost nothing and then rebuilds with this satisfying inevitability that you can feel arriving a bar early. It’s emotional dance music that doesn’t embarrass itself, which is harder to pull off than the finished product makes it look. The kind of tune you put on a late drive and suddenly you’re thinking about someone you hadn’t planned to....
- This entry was posted in:   drum and bass
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June 28, 2026 at 9:39 AM
1 min read
Sunnery James & Ryan Marciano x Raluka feat. Kes Kross - Coffee Shop
Read more . . . →Coffee Shop has the easy, sun-drenched swing of a track designed for a beach club rather than a dark basement, and Sunnery James & Ryan Marciano have always been comfortable operating in that lane. Raluka’s vocal gives it a pop sheen, while the groove keeps enough genuine house weight underneath to stop it floating off into background music entirely. It’s polished, breezy, the sort of record that sounds expensive and goes down very easy on a warm afternoon. There’s a real craft to making something this effortless-feeling actually function on a floor — the simplicity is deceptive, and the restraint is doing more work than it lets on. It won’t change your life, but it will measurably improve the next pool party you find yourself at, and there’s real value in a track that knows precisely what it is. The kind of thing that gets stuck in your head three...
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June 28, 2026 at 6:50 AM
2 min read
This Week on coldplaysucks — June 14–21
Read more . . . →Big week, and house ran it. We posted a pile of tracks and the four-on-the-floor crowd showed up deepest — tech house, soulful house, afro house, the works. Drum and bass kept pace right behind, trance refused to die, and somewhere in the middle a bunch of producers flipped songs that have no business still hitting this hard in 2026. Coldplay released nothing. The week improved accordingly. Track of the Week Sigma, Soul II Soul, Capo Lee & Zimma - BACK 2 LIFE (ft. Liv Campbell) Flipping “Back to Life” is a way to get yourself run out of town, so Sigma did the smart thing and brought the actual originators along instead of sampling them and praying. Liv Campbell gives the vocal room, the grime side keeps it from turning into a heritage act, and the breakdown where the original melody surfaces gave me genuine goosebumps — not a...
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June 28, 2026 at 6:50 AM
2 min read
They Threatened Him, Interrogated Him, Then Fired Him — But Sure, The Timing Was A Coincidence
Read more . . . →On Tuesday the Fifth Circuit handed down its ruling in the Starbucks union case out of Sylmar, California, and you have to read it twice to believe the shape of it. The court looked at what the company did to a worker named Untaran during the 2022 organizing drive and agreed, on the record, that Starbucks broke the law. It agreed a manager illegally threatened him over the union. It agreed he was illegally interrogated about it. The judges signed their names to all of that. And then the same worker got fired, and the court turned around and said you can’t actually prove the firing had anything to do with the union, because — and this is the whole holding — “timing alone is not substantial evidence of anti-union animus.” Sit with the logic for a second, because it’s the entire game. A company can threaten you for organizing....
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June 29, 2026 at 10:49 AM
1 min read
Editor's picks
Raise Your Weapon
deadmau5
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Electronic doesn't have to mean loud. Eleven minutes, all of them.
Ritual Ottawa, Dec 2
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Recorded off the booth feed. He played Scary Monsters before it was Scary Monsters.
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