EDC Las Vegas 2026 footage is starting to leak out and Ship Wreck’s set is the first one worth your time. “The Function” played live in front of a desert crowd that size hits completely different than it would in your kitchen, and even through a phone camera and YouTube compression you can feel the floor moving. This is big-room trance built for exactly this moment: hands up, lasers everywhere, 40,000 people pretending they’re not exhausted at 3am. The build is patient and almost cruel about how long it makes you wait, then the release actually justifies it, which is the part most festival tracks get wrong. I wasn’t there, and watching this made me genuinely sad about that fact, which is the highest compliment I can pay a live clip. Ship Wreck understands the assignment of a peak-time slot. Throw it on, close your eyes, and pretend the Nevada...
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June 08, 2026 at 11:14 AM
1 min read
Ship Wreck - The Function (Live at EDC Las Vegas 2026)
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June 08, 2026 at 9:39 AM
1 min read
Rebelion gets a full stage at Defqon.1 and they've been building to this
Read more . . . →Defqon.1 introduced the Encore concept this year: one artist, the entire BLUE Stage, Friday night, extended set, no opener needed. Rebelion got it. That’s Q-dance acknowledging what anyone who’s been watching the last few years already knew — these two have been putting out music that demands a bigger canvas. Here’s the 2025-2026 version of that argument.
1. Rebelion & Warface - Filthy Rave
April 2026, Rebelion teams up with Warface and goes full industrial-edged chaos. “Filthy Rave” is accurate. This is the harder, uglier side of what Rebelion does — the version that makes sense when you give someone a stage for four hours and tell them to figure it out.
2. Rebelion - Beyond the Horizon
November 2025 solo release that shows the other side of what they do. Still 190...
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June 08, 2026 at 9:32 AM
1 min read
2frers - EYES ON US
Read more . . . →NCS surfaced 2frers with “EYES ON US” and it’s a sharp little reminder that the copyright-free crowd has gotten genuinely good. This is slick, modern electronic music with a real sense of drama, all tense build and a drop that snaps with serious precision. The duo clearly understand restraint, holding back just enough in the verses so the chorus actually lands when it arrives. There’s a cinematic quality to the whole thing, like it belongs over the climax of some neon-soaked action sequence. The vocal cuts through the mix with attitude, and the bass underneath has a satisfying weight to it. I keep being surprised by how polished the NCS roster has become, this isn’t the throwaway gaming-stream filler people assume it is. It’s a proper track that would hold up on any festival stage. Sometimes the best discoveries come from the channels you’ve trained yourself to ignore. Give 2frers...
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June 08, 2026 at 7:43 AM
1 min read
The Manosphere Is Just a Scam With Better Lighting
Read more . . . →Sadiq Khan stood up in London this week and called the manosphere what it is: snake oil salesmen peddling pound shop misogyny to a lost generation of young men. He’s right, and the part everyone keeps tiptoeing around is that it’s a business. Tate, the HSTikkyTokky crowd, the whole grindset content farm — they’re not selling masculinity. They’re selling a course to a 19-year-old who can’t find a job, can’t afford rent, and has been told his whole life that if he just hustled hard enough the door would open. The door’s been bricked up for years. These guys figured out you can charge admission to stand in front of it.
Here’s what makes it work, and it’s the same thing this blog keeps coming back to. The despair is real. A generation of young men got handed an economy that posts record profits while it fires people, a housing...
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June 07, 2026 at 9:31 PM
1 min read
OKO & XLVR - Think About Your Love
Read more . . . →Another Monstercat drop, and this one swings the other direction from the heavy stuff: bright, melodic DnB built around a soulful vocal sample that loops just enough to get stuck in your skull for the rest of the day. OKO and XLVR clearly know each other’s instincts, because the track flows like one brain made it rather than two producers emailing stems back and forth. The breakbeat is fast without feeling frantic, which is harder to pull off than people think. What gets me is the restraint. They could have buried the vocal under a wall of synths and instead they let it sit out front where it belongs. The drop hits with a clean, satisfying snap rather than trying to bludgeon you. It’s the kind of song that works equally well on a run or on a drive home at night, and I’ve already done both with it. Easy...
- This entry was posted in:   drum and bass electronic
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Get the tee →Support the blogMade for people who left the room during Yellow. -
June 07, 2026 at 4:48 PM
1 min read
NOVEMBER KID - you're the only place i need
Read more . . . →MrSuicideSheep has a knack for surfacing artists right before they blow up, and NOVEMBER KID feels like one of those. The all-lowercase title tells you what you’re walking into: soft, emotional electronic music made for headphones at 2am when you’re thinking about someone you probably shouldn’t be. Normally that description sends me running, because a lot of this stuff is wallpaper. This one has a spine. The chords do something genuinely lovely in the second half, opening up in a way I didn’t see coming, and the vocal chop carries real ache instead of the usual processed sadness. It’s restrained where it needs to be and generous where it counts. I went in expecting background music and came out actually moved, which almost never happens with a track this gentle. NOVEMBER KID understands that emotion in electronic music comes from what you leave out. File this under songs that will...
- This entry was posted in:   electronic melodic
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June 07, 2026 at 3:11 PM
1 min read
Toolroom Ibiza 2026 - Tech House Mix
Read more . . . →Toolroom dropping their Ibiza 2026 tech house mix. Background music for when you’re pretending you’re in Ibiza but you’re actually in your living room. No judgment — it works either way.
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June 07, 2026 at 1:37 PM
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Sustance - Take Cover
Read more . . . →Two Sustance tracks on Shogun in the same drop. “Take Cover” is more aggressive than “Loving You” — same artist, different mode. The range is impressive.
- This entry was posted in:   drum and bass
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June 07, 2026 at 1:26 PM
1 min read
L.A.O.S x SOL:US - No Less Than Never
Read more . . . →Two artists with punctuation in their names teaming up on Liquicity sounds like a recipe for trying too hard, and then “No Less Than Never” turns out to be one of the most assured liquid tracks I’ve heard all month. L.A.O.S and SOL:US lock into a groove that’s slick without being slippery, the bassline rounded and deep enough to feel in your chest on a decent system. The title is a little nonsensical when you sit with it, but the music more than covers for the wordplay. What stands out is the production polish. Every element has room to breathe, nothing fights for space, and the mixdown is clean enough to make most bedroom producers reconsider their life choices. The melodic hook in the second half is the kind that quietly relocates into your head and refuses to leave. This is liquid DnB for people who think they’re tired of...
- This entry was posted in:   drum and bass liquid drum and bass
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June 07, 2026 at 10:49 AM
1 min read
JUNIVERZ & BOSEP - Energy
Read more . . . →Revealed Recordings remains Hardwell’s house of relentlessly upbeat festival fuel, and JUNIVERZ and BOSEP fit that brief without sounding like every other Revealed clone. “Energy” is named with zero subtlety and honestly I respect that. The track does precisely what the title promises and then a little more. There’s a euphoric main-stage build that you can already picture exploding over a crowd, but the drop has a slightly harder, more aggressive bite than the usual Revealed gloss, which is what saves it from being forgettable. I’m not always in the mood for this much pure sugar, but when I am, this hits the exact spot. It’s the audio equivalent of a double espresso before a workout. No deep emotional revelations here and that’s completely fine, because not every track needs to make you cry. Some just need to make you move, and this one drags you off the couch by...
- This entry was posted in:   big room electronic
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June 08, 2026 at 11:14 AM
1 min read
Editor's picks
Raise Your Weapon
deadmau5
The transition at 4:00 is the whole point. Coldplay would never.
The One
Swedish House Mafia · Pharrell
Exactly as big and as dumb as it needs to be. Volume up.
The Grudge (live)
Chilly Gonzales
Electronic doesn't have to mean loud. Eleven minutes, all of them.
Ritual Ottawa, Dec 2
Skrillex
Recorded off the booth feed. He played Scary Monsters before it was Scary Monsters.
Paper Romance
Groove Armada
Genre-hopping with a new crew of vocalists. It still works.
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