If you spent any time gaming in the last ten years, you already know the NCS sound in your bones even if you never learned the label’s name. Garnic’s “Wake Up” is a clean shot of exactly that: melodic, big-hearted electronic music engineered to soundtrack a montage. The vocal is anthemic and just vague enough to be about whatever you need it to be about, which is half the genre’s trick. The drop is bright and driving, built on a plucky lead that lodges in your head on the very first pass. It’s unpretentious to the bone and completely unbothered about that fact. NCS gets dunked on by people who think enjoying things is embarrassing, and Garnic makes their snobbery look exhausting. The breakdown has a genuinely pretty piano moment before the second drop kicks the door back in. Stick it on next time you need to trick your brain...
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August 10, 2026 at 9:25 PM 1 min read
Garnic - Wake Up
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August 10, 2026 at 7:11 PM 1 min read
Flux Pavilion, Freestylers & Belle Humble - Cracks Begin To Show
Read more . . . →Wasn’t ready for how well these three fit together. Flux Pavilion still swings that big rubbery midrange wobble like it’s 2011 and nobody told him the trend cycle moved on, Freestylers drag their old breakbeat instincts into it, and Belle Humble sits on top with a hook that keeps the whole thing from collapsing into pure muscle. “Cracks Begin To Show” earns its title in the arrangement: the first drop is all confidence, and then the second one lets the low end fracture and stumble on purpose, like the track is coming apart in slow motion while somehow still hitting. That deliberate falter around the two-minute mark is the best idea on here, and most producers would smooth it out and lose the entire point of the song. Flux has spent a decade getting written off as a nostalgia act, and this is him shrugging at that and doing the...
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August 10, 2026 at 3:39 PM 1 min read
Glitch Cat - u-know
Read more . . . →This one’s just pure serotonin. Glitch Cat make the kind of Monstercat electro-house that has no interest in being cool and every interest in making you grin like an idiot, and “u-know” is a big dumb hit of exactly that. It rides a vocal chop that bounces around like a superball in a small room, over a bassline that struts like it owns the place. The drop is bright, springy, almost cartoonish, all primary colours and no shame about any of them. There’s a synth lead in the second half that sounds like video-game boss music got a glow-up and a gym membership. I threw it on during the worst possible stretch of a grey Wednesday and caught myself doing that little seated shoulder-dance you do when you think nobody’s watching. That reaction is the only recommendation a track like this actually needs. Monstercat puts out a hundred of these...
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August 10, 2026 at 3:31 PM 1 min read
Eelke Kleijn - Answer Every Question
Read more . . . →How is Eelke Kleijn still this underrated outside the melodic-house world? “Answer Every Question” is him doing what he’s done brilliantly for years, long, cinematic, emotional dance music that takes its time and rewards the patience you give it. Calling it trance undersells the thing entirely. This is melodic house with a storyteller’s sense of pacing, a track that builds across seven minutes toward a payoff most producers would sprint to inside ninety seconds. The lead melody is genuinely gorgeous, wistful without ever tipping into cheese, and the low end is warm and round instead of aggressive, more of a pulse you feel in your chest than a punch. Kleijn made one of my favourite electronic tracks of the last decade with “Stormy Weather,” and this sits comfortably in that lineage. There’s a breakdown about two-thirds through that strips everything back to a single held chord and a faint field-recording...
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August 10, 2026 at 2:21 PM 1 min read
Overmono Made the Album of the Summer and It's Forty Minutes Long
Read more . . . →Three days with Pure Devotion and I’ve stopped opening Spotify for anything else. Overmono’s second album landed last Thursday — eleven tracks, forty minutes — and it rearranged the rest of my August. Their debut was a controlled detonation. This one is looser, warmer, and it wins every argument the first record started. 1. Overmono - Knight In Shining Prada (feat. John Joseph Holt) BBC Radio 1 gave this the Hottest Record tag and for once the hype was underselling it. John Joseph Holt sings over a beat that lands somewhere between 2-step and a headnod nobody’s named yet, and his voice treats the tempo like a polite suggestion. The kick pattern under the second verse is the part I keep going back to — three hits where the drum and the vocal lock, and the rest of the beat falls around them like it knows its place. 2. Overmono...
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August 10, 2026 at 2:00 PM 4 min read
Hardstyle for People Who Think They Hate Hardstyle
Hardstyle isn't loud cheesy nonsense — it's Dutch festival music built around a sculpted kick drum. The euphoric vs. raw cheat sheet, and 5 tracks to start.Read more . . . →Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
August 10, 2026 at 12:09 PM 1 min read
Dion Timmer - BE URS
Read more . . . →You already know if you’re the audience for this one. It’s Dion Timmer, so it’s clean, melodic, and engineered within an inch of its life. “BE URS” puts as much care into the pretty half as the heavy half: a sung hook and glassy synths up top, then a drop that’s precise rather than filthy, every sound sitting exactly where he wants it. Timmer’s been doing this since he was a teenager and the polish shows, sometimes almost too much, like the track’s been sanded smooth enough to lose a little danger. But the melody carries it. The second drop flips the vocal into a chopped, pitched-up counter-melody that’s the best thirty seconds here. If you want your bass music with feelings bolted on instead of pure aggression, Timmer’s better at that balance than most people trying it. The polish is the point and the limit at once. This is...
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August 10, 2026 at 11:14 AM 1 min read
Greta Svabo Bech - Shut Up & Sing (AG Rewrite)
Read more . . . →Heard this come on in a friend’s car at night on the motorway and it fit the moment so perfectly I made them rewind it. Greta Svabo Bech is the voice behind Deadmau5’s “Raise Your Weapon,” which got her a Grammy nomination back when that still meant something, and her own material has always deserved more ears than it gets. “Shut Up & Sing” in this AG Rewrite is built around her voice, which is the correct decision, because it’s a genuinely strange and beautiful instrument, all air and edges. The production keeps things restrained, a pulsing low end and a few well-placed synths that clear out of the way whenever she reaches for a big note. It builds slowly and never quite explodes the way you keep expecting it to, and that withholding is the whole appeal. There’s a moment near the end where the beat drops out entirely...
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August 10, 2026 at 9:32 AM 1 min read
A Little Sound & Kelvin 373 - Same Thing
Read more . . . →A Little Sound is on half the drum and bass that mattered these last two years, whether you clocked her name or not. Here she’s paired with Kelvin 373 for a rolling, liquid-leaning tune that lets her actually sing instead of just topping a drop. “Same Thing” rides a warm sub and a breakbeat that stays busy without cluttering, and her vocal does that thing where it sounds effortless and absolutely is not. The drop keeps the melody going rather than dumping it for pure bass weight, which is the liquid move and the reason this works on a Sunday as easily as at a rave. There’s a little pitch-bend on the second chorus that gets me every time. The production is warm and roomy, with big reverb sitting on everything, the kind of mix that sounds expensive on a proper system. Kelvin 373 keeps the drums rolling underneath without...
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August 10, 2026 at 6:31 AM
1 min read
The Economy Lost 23,000 Jobs and Unemployment Went Down
Read more . . . →The U.S. economy shed 23,000 jobs in July and the unemployment rate went down. Not a typo. The Bureau of Labor Statistics reported Friday that payrolls went negative and the rate “improved” to 4.1 percent, because 264,000 people left the workforce entirely. Stopped looking, stopped being counted. Labor force participation is at 61.4 percent, lowest in five years. The rate didn’t improve. The pool just got smaller. This is the number they’ll wave around. Four point one. Strong. Meanwhile average monthly job gains this year sit at 34,000. May’s numbers got revised down by 66,000 after the fact. June got cut by another 20,000. The revisions only go one direction. Healthcare is carrying the entire economy on its back like the one competent friend in a group project. Everything else is treading water or going under, and the official response is to point at a percentage that only looks good...
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