A friend sent me this at 1am with just the link and no message, which is usually how the good ones arrive. For a second I thought it was the 2006 original, and then Shy FX’s drums kicked in and it turned into something else. “The Cure & The Cause” is one of the great deep house records, Fish Go Deep and Tracey K’s slow-burn heater that has soundtracked a thousand sunrise sets, and letting a jungle veteran loose on it could have gone badly. It didn’t. Shy FX keeps Tracey K’s vocal front and centre, the ache fully intact, and rebuilds the low end with the swing and sub weight he’s spent thirty years perfecting. It lands somewhere between the original’s late-night house and a rolling UK groove, and the seam between the two barely shows. What could have been a lazy cash-in on a beloved track instead plays...
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September 17, 2026 at 7:05 PM 1 min read
Fish Go Deep & Tracey K X Shy FX - The Cure & The Cause
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September 17, 2026 at 2:09 PM 1 min read
Carbon Neutral
Read more . . . →One sapling, one private jet. The math checks out if you skip the math. He drove to the tarmac, put on gloves, and planted a tree that will take forty years to absorb what the jet behind him burns in a single flight. The photo goes straight into the annual report under “environmental stewardship.” The sapling will be dead by the next shareholder meeting because nobody budgeted for watering it. The offset certificate is framed on the wall next to the boarding pass for Davos, and the planet moved zero degrees in either direction. Planting one tree next to a jet is like bringing a sponge to a flood and calling yourself the fire department.
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September 17, 2026 at 10:42 AM 1 min read
DJ Kuba, Neitan, Beat & Encore & CERES - I Like The Bass
Read more . . . →This is gloriously stupid and I mean that with total affection. “I Like The Bass” is exactly what a track called “I Like The Bass” ought to be: a huge, dumb, bass-house battering ram with a vocal that just yells the title at you until you comply. DJ Kuba and Neitan link with Beat and Encore and CERES for something engineered purely to detonate a festival crowd, no deeper reading required or offered. The drop is all distorted low-end and that shouted hook, the kind of thing that sounds absurd on a laptop and completely reasonable through a wall of subs. There’s a half-time flip in the second drop that briefly doubles the weight and got a genuine laugh out of me. Music like this exists to make ten thousand people jump at the same instant, and by that one measure it’s a total success. I would never put it...
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September 17, 2026 at 6:16 AM
1 min read
Nobody Leaves the Table
Read more . . . →Donald Trump signed an order yesterday to strip all Canadian-origin goods from federal procurement, $280 billion in contracts, because Canada had the nerve to launch a Buy Canadian policy after he tariffed them. The same day, he told reporters that if the European Union goes ahead with its plan to make Canada an associate member, he’d consider it a “hostile act” and hit Europe with tariffs too. Read that again. He’s kicking Canada off his shelves and threatening to punish anyone who puts them on theirs. This is the trade-policy version of the guy who dumps you and then shows up at your new boyfriend’s house. Trump doesn’t want Canadian dairy, Canadian motorcycles, Canadian anything. He signed separate orders to ban those imports entirely later this month. But the second Canada starts building a trade relationship with a bloc of 450 million Europeans, suddenly it’s a threat to American interests....
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September 16, 2026 at 6:40 PM 1 min read
Denis Sulta & Capri - Push The Tempo (Extended Mix)
Read more . . . →The breakdown drops out to nothing but a hi-hat and a single filtered chord for a full sixteen bars, and by the time the kick punches back in you’d follow it anywhere. Denis Sulta has always made house with a grin on it, that Glasgow party-starter energy that treats the dancefloor as the only serious subject in the world. “Push The Tempo” with Capri is exactly that: bouncy, a little cheeky, a vocal shouting the title like a dare. The extended mix earns its length by taking its time, letting the groove ride before it starts stacking elements on top. This is Friday-crowd house, made to be shouted along to rather than analysed. The bassline has a rubbery bounce that does most of the emotional lifting here, if a track this fun can be said to have emotional lifting to do. I’d drop it at the exact moment a party...
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September 16, 2026 at 2:47 PM 1 min read
Bipartisan Handshake
Read more . . . →Reached across the aisle. The aisle was a mirror. An oil painting of a man shaking hands with his own reflection, hung in the kind of marble hallway where nothing useful has happened in decades. The flag tie and the gilt frame tell you everything about who paid for the mirror. He ran on bipartisanship and found the one partner who never pushes back. Somewhere a constituent is on hold while their representative closes the most productive meeting of his career. The handshake looks firm. He’s had practice.
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September 16, 2026 at 2:15 PM 1 min read
Albi - Dancing With Your Ghost
Read more . . . →Does the world need another dance remake of a sad pop song? Probably not, and yet here I am with “Dancing With Your Ghost” wedged in my head against my wishes. Albi takes the melody everyone half-remembers from a hundred TikToks and builds a clean, festival-ready dance track around it, and on the drive home it did the job. The drop is bright and uncomplicated, the vocal chopped into the hook you already know, the whole thing engineered for a summer crowd to sing back. There’s nothing here you haven’t heard before, and the mix is buffed to such a high shine that there’s barely room left for any character. It’s a competent, radio-shaped piece of dance-pop that will do exactly what it was designed to do at a festival and not one thing more. It’s the kind of remake that exists because a label clocked a trending vocal and...
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September 16, 2026 at 9:32 AM 1 min read
Acyan & IKU - ONE TWO
Read more . . . →The vocal chops the phrase “one, two” into a percussion instrument, firing it across the beat like a snare fill, and by the drop it’s stopped being words at all. Acyan and IKU turn in a hybrid trap cut on Trap Nation that finds the sweet spot between festival trap and something meaner and more experimental. The first drop is fairly standard hard-trap fare, big 808 slides and a screamed vocal, but the second one is where it gets interesting, warping the whole rhythm into a stuttering, half-time crawl that changes the entire complexion of the track. The bass design is genuinely gnarly, all metallic clang and distortion, sitting closer to riddim than the usual trap gloss. Trap as a festival genre has felt a bit stuck for a while, coasting on the same handful of 808 tricks, and it’s nice to hear producers actually shove the sound somewhere weirder....
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September 16, 2026 at 7:10 AM 1 min read
Unglued, TJB & Esther Durin - Heaven
Read more . . . →This is the good kind of pretty. Unglued and TJB team up with vocalist Esther Durin for Heaven, and it’s melodic drum and bass that earns the emotion instead of just gesturing at it with a big pad and a key change. Durin’s voice is the whole thing here, doubled and layered until it feels like a choir of one person, and when the drums finally sprint underneath her the effect is genuinely lifting. Melodic DnB is a minefield of the same three chords and the same yearning vocal doing the same thing, and most of it washes over me without leaving a mark. This one stuck. Part of it is the drum programming, which has a snap and a swing that a lot of these liquid tracks forget to include while they’re busy being emotional. Part of it is that Durin sells the topline like she means it rather...
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September 16, 2026 at 6:17 AM
1 min read
Your Insecurity Is a Revenue Stream
Read more . . . →The manosphere isn’t a movement. It’s a mall. A multibillion-dollar shopping center for men who got told they were broken and then got sold the fix. Supplements, coaching programs, crypto schemes, looksmaxxing “academies” charging three grand to teach you how to hold eye contact. The whole operation runs on one insight: male insecurity, when packaged correctly, is the most dependable revenue stream on the internet. Every influencer in the space figured out the same business model at the same time. Tell young men the world hates them, then charge $49/month for the antidote. The supplements alone are projected to clear $2 billion this year. Two billion dollars in pills that do roughly what eating a vegetable would do for free. But vegetables don’t come with a community Discord and a parasocial relationship with a guy who got rich telling you women are the problem. The algorithm finds you when you’re...
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