January
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News / techno
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1 min read
Charlie Sparks x LAWTON - Feel The Vibe
Read more . . . →Techno got loud and fast again and Charlie Sparks is one of the main reasons why. The London producer has spent the last couple of years dragging hard techno back into the spotlight, all BPMs up in the 150s and a crowd that looks more like a mosh pit than a rave, and Feel The Vibe with LAWTON is a direct hit of exactly that. The title doubles as a chant, a vocal stab looped until it stops being language and becomes pure propulsion, riding over a kick built to assault, not groove. There’s a rave-era nostalgia baked into this...
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1 min read
Conrad Taylor, Lewis Laite & Courtney Paige Nelson - Dopamine
Conrad Taylor, Lewis Laite and Courtney Paige Nelson basically bottled Dopamine and sold it as a track. We're hooked. No refunds.Read more . . . →Subscribe →Weekly digestSundays. One email. Zero ballads from white guys in beanies. -
1 min read
Lilly Palmer x Mauro Picotto - Komodo
Lilly Palmer x Mauro Picotto unleash Komodo and it bites. Old-school menace meets a modern techno floor. Mind your ankles.Read more . . . →Subscribe →Weekly digestWhat you missed this week, minus the corporate emo. -
1 min read
Amelie Lens - a track at 150bpm
Amelie Lens at 150bpm with the acid turned up. Your neighbors will hate you, your cardio will not survive it, and that's the deal.Read more . . . →Get the tee →Support the blogSome shirts are statements. This one is a verdict. -
1 min read
Amelie Lens - the energy is us
Amelie Lens locks a groove for six minutes and dares the room not to break. Peak-hour techno with zero fussy edits, just pressure.Read more . . . →Get the tee →Support the blogMade for people who left the room during Yellow. -
1 min read
Amelie Lens - come closer
Amelie Lens's come closer holds the tension for minutes and then just stops, lights on mid-thought. Play it loud in the dark.Read more . . . →Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
1 min read
Eli Brown - Damaged
Eli Brown's Damaged is 2am warehouse techno, no windows, fog machine working overtime, bassline that never lets up. Play it loud or don't bother.Read more . . . →Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
1 min read
DENIAL - Nutcase
DENIAL's Nutcase bullies one bassline for four minutes straight and somehow makes it hypnotic. 3am music, no breakdown, no mercy.Read more . . . →Get the tee →Support the blogThree words. One opinion. Cotton. -
1 min read
The Remix Won a Grammy and Said Nothing
Read more . . . →Gesaffelstein walked onstage at the Grammys in a black reflective mask and gloves, accepted the award for Best Remixed Recording, bowed, kissed the air, and left without saying a word. That is a better argument for the remix as art form than anything anyone has written about it. Three records from the 2026 Grammy class that prove the remix stopped being a B-side a long time ago. 1. Lady Gaga - Abracadabra (Gesaffelstein Remix) The original is a pop record on a blockbuster album. This is four minutes of Gaga’s vocal stripped to its bones and rebuilt inside pulsing darkness....
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1 min read
Two AM, Somewhere Concrete
Amelie Lens doing acid techno. That 303 line runs the whole thing and I am completely fine with that.Read more . . . →Get the tee →Support the blogShips in 3–5 days. The outrage ships immediately.
