Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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You have heard a hundred melodic trap tracks called something like headrush and bounced off every one, I know. Give this one four minutes anyway. Łaszewo and AVELLO have made the rare version that earns the title, a track that actually produces the lightheaded lift it is named after. It opens almost like a pop song, clean vocal, simple piano, the kind of intro that usually signals a limp festival-trap drop is about to ruin everything. Then the first drop is restrained, almost polite, a pitched vocal and a rubbery bass doing a lot with a little. The second drop...
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Somebody at a festival is going to lose their mind to this and have no idea it was never an official release. START THE DRAMA is a T3MPURA mashup welding Juelz’s trap muscle to a Zedd topline, the kind of unofficial edit that lives on DJ USB sticks long before it ever troubles a label. That is half the fun of it. Mashups like this are the folk music of the festival circuit, stitched together by someone who just wanted the two things they loved to exist in the same track and could not wait for permission. It should be...
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