Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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The painting is finished. The crowd behind it has some notes. Two guys in nice suits, big smiles, holding up a portrait of a thrilled public while the actual public screams and points directly at them. You have to admire the commitment. They commissioned the painting, framed it, brought it to the event, and held it up with both hands in front of the people it’s supposed to depict. The angry mob is right there. They can see around the frame. Nobody in this image cares. The painting is the press release and the press release is the whole job....
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Amazon warehouse workers in Rock Tavern, New York walked off the job this week after months of reporting unsafe conditions to a company that responded by deleting their complaints. Literally deleting them. Amazon has an internal feedback system called “Voice of the Associate,” and when workers used it to flag dangerous conveyor belt speeds and falling packages, management scrubbed the posts. The injury rate at that facility hit 6.3 per 100 workers, with 97 percent of those injuries severe enough to require missed days or restricted duty. Amazon’s response to that number was not to slow the belts. It was...
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He’s waving at it. That’s the whole problem. The showerhead is a security camera. Water comes out of it and so does whatever the terms of service say about your bathroom data. He looks up at it with the exact face of a man who clicked “Accept All Cookies” in 2014 and has been living with the consequences since. Cheerful. Resigned. Slightly wet. This is what “I have nothing to hide” looks like with the towel off. The camera is in the shower and the shower is in the cloud, and somewhere a server just logged his rinse cycle.
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The State Department just spent $177 million of human rights money on far-right pet projects. Afrikaner rights in South Africa, “Western civilizational norms,” and $2 million specifically earmarked for groups that reject what the grant documents call “gender ideology.” They burned through the money on the last day of the fiscal year so it wouldn’t lapse. That’s not governance, that’s a smash-and-grab at closing time. One of the biggest recipients is the Victims of Communism Memorial Foundation, run by a former Trump policy adviser. So human rights funds are now paying a Trump ally’s org to fight communism, which in...
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They labeled the briefcase IDEAS so you’d stop asking what’s in it. Shot like a film noir, which tracks. A man in a hat hands a briefcase to a suit in a marble corridor with the Capitol dome visible at the end. Another figure walks away in the background, presumably carrying his own briefcase to the next office. The word on the leather is doing heavy lifting. If it said CASH the composition would be identical and nobody would be confused. They put the quiet part right on the handle, in block letters, and called it democracy.
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