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1 min read
EMBER, Gabriel Eli - CHEMISTRY
Read more . . . →Wasn’t expecting an NCS release to be the thing that got stuck in my head all afternoon, but “CHEMISTRY” pulled it off. It’s slick electronic-pop with a dancefloor engine, Gabriel Eli’s vocal riding a bouncy, bright production from EMBER that’s built for maximum immediate hit. The verse is restrained and a little moody, which makes the pre-chorus lift land harder when it arrives, and the drop turns the vocal hook into a plucky synth line that’s borderline impossible to shake. What raises it above the NCS baseline is the songwriting: there’s an actual song under the sound design, a real...
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1 min read
DENIAL - Nutcase
Read more . . . →The bassline on “Nutcase” is basically one note bullied into submission for four minutes, and it is hypnotic. DENIAL builds the original around repetition as a weapon: a tight dry kick, a rubbery low end that barely shifts, and little bursts of static that flicker across the top like a fault in the wiring. It is techno that trusts you to lock in rather than begging for attention, and about halfway through a warped vocal fragment surfaces just long enough to unsettle you before the groove swallows it again. The trick is in what DENIAL leaves out. There is no...
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1 min read
Gratuity Included
Read more . . . →20% is standard. 25% if you’d like him to close.
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1 min read
Elderbrook - Is It Over Now? (IONITY Remix)
Read more . . . →You know that stretch of a night drive where the road empties out and a song comes on that’s suddenly too big for the car? This remix is engineered for that. IONITY takes Elderbrook’s “Is It Over Now?” and blows the wistful little house original up into something widescreen, keeping the ache of the vocal but hitting it with a drop that opens up like a horizon. Elderbrook’s voice was always the strongest thing about the original, that cracked, plaintive quality that makes even his club records feel like confessions, and IONITY is smart enough to leave it mostly alone...
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1 min read
BlackGummy - Raze (Blood Vision Remix)
Read more . . . →Somewhere in a festival tent at midnight, this remix is doing exactly what it was built to do. Blood Vision takes BlackGummy’s “Raze” and pushes it toward the peak-time end of progressive house, all widescreen synths and a build that keeps threatening to detonate. When it finally lands, the drop goes melodic rather than brutal, a big rolling bassline sitting under a lead that climbs and keeps climbing. BlackGummy’s own productions usually sit darker and more mechanical, so hearing one turned this euphoric is a genuine surprise. You lose some of the menace and gain a lot of open sky....
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Dimension & Subsonic - Ghost Town
Dimension and Subsonic build a ghostly intro just to blow it up with a bassline the size of a bus. Main-stage dnb at full voltage.Read more . . . →Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
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Zaytoven x Tape B - Signature Sound
Read more . . . →A trap-piano institution teaming up with a dubstep wunderkind was not a collaboration sitting on any list of mine. Zaytoven basically built half the sound of Atlanta rap on those church-organ piano runs, and Tape B is one of the most hyped names in bass music at the moment, so “Signature Sound” is a genuine culture-clash experiment. And it mostly rips. Zaytoven’s melodic fingerprints are all over the intro, those bright gospel-tinged keys that scored a hundred trap anthems, and then Tape B yanks the floor out from under them with a wobble that is pure 2026 bass. The two...
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The Deal Was Never a Deal
Read more . . . →Trump spent three days telling everyone he had a deal with Canada. Posted about it on Truth Social. Floated resurrecting a dead oil pipeline as a victory lap. Then late last night, the talks collapsed, and at midnight 50% tariffs landed on $20 billion in Canadian imports — lumber, electronics, clothing, furniture, dairy, booze. The USMCA, the trade agreement he personally signed in 2020, says none of this is supposed to happen. His trade rep blamed Canada for “walk backs.” Carney said the US changed terms at the last minute that were “unfair, uneconomic, and called into question the reliability...
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1 min read
Truth - Fight Game
Read more . . . →This is the sound of a subwoofer being asked, very politely, to commit a felony. Truth have been making deep, rolling, sound-system dubstep for years, and “Fight Game” is them planted firmly in their comfort zone, which for this duo means bass pressure most producers can only fantasise about. This is not the screechy, mid-heavy dubstep that colonised America a decade ago. It is the UK and NZ deep strain, where the low end is a physical event and the mids stay dark and sparse and patient. The whole track is built around weight and empty space, a skanking half-step...
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Culture Shock - U & I
Culture Shock makes rolling vocal dnb sound like it costs zero effort. 'U & I' is festival drum and bass with an actual pulse.Read more . . . →Get the tee →Support the blogShips in 3–5 days. The outrage ships immediately.
