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1 min read
Armin van Buuren feat. Josh Cumbee - Sunny Days (Summer Is Calling & Impani Remix)
Armin dusts off 'Sunny Days' for a bigger, cleaner uplifting-trance remix. Predictable as summer itself, and just as welcome.Read more . . . →Subscribe →Weekly digestOne email per week with the tracks worth your time. No spam, no Coldplay. -
1 min read
The Tate Brothers Got Cuffed in the Country That Flew Them In
Read more . . . →Rewind eighteen months. In February 2025 the Trump administration leaned on Romania to lift the travel ban keeping Andrew and Tristan Tate in the country while they faced trafficking charges. Richard Grenell worked the Romanian foreign minister at the Munich Security Conference, calls got made, and days later the brothers boarded a private jet and landed in Fort Lauderdale like they’d won something. Trump, asked about the men his own people had just sprung, said he knew “nothing about it.” This week US Marshals walked into Miami and put both of them in federal detention on a British extradition warrant....
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1 min read
Nohr & AMRAC - About You
Read more . . . →How many ways are there left to write a song about missing someone? Nohr and AMRAC found a fresh one on “About You,” or at least a fresh enough arrangement to make the old feeling land again. It’s built on a chopped vocal that repeats the title until it stops being words and starts being texture, riding over a bassline that’s deep and rounded rather than aggressive. The drop at 1:25 is more of a lift than a slam, and the whole track kind of levitates instead of hitting the floor. That lightness is the appeal. There’s a piano line...
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1 min read
Alie, HIKING - FLIRT (if i don't mean it)
Read more . . . →This one sounds like a text you shouldn’t have sent. “FLIRT (if i don’t mean it)” pairs Alie’s breathy, conversational vocal with HIKING’s clean electronic-pop production, and the whole thing has the jittery energy of overthinking a situationship at 1am. The beat is light and skittering — plucky synths, a bassline that stays out of the way — and it leaves a lot of room for the lyric, which is doing that modern thing where the casualness is the whole vulnerability. The hook lands at 1:08 and it’s sticky in the way good pop should be; I caught myself humming...
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1 min read
Nordfold - Collide
Read more . . . →The bassline on “Collide” walks. It’s got that rolling, slightly rubbery deep-house pulse that Anjunadeep has basically trademarked, and the whole track locks into it within the first thirty seconds and never lets go. Nordfold keeps everything patient here: a vocal snippet floating in the distance, a pad that swells and recedes, and percussion that clicks and shuffles just enough to keep your head moving. It’s late-night music, the 2am-in-a-dark-room kind, built for the deep-house lane where the point isn’t the drop but the groove holding steady while small details drift in and out. Around 3:00 a filtered synth line...
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1 min read
AFROJACK & Gil Glaze - Allein
Another big-room AFROJACK record in 2026? Yes, and 'Allein' earns it with a hooky German vocal and a sunset-festival payoff.Read more . . . →Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
4 min read
Deep House vs Tech House, Explained
Deep house vs tech house, explained: listen to the bass. Hummable and looping is tech house, warm and chord-driven is deep house. The rest follows.Read more . . . →Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
1 min read
oncor - Seasons Change
Read more . . . →“Seasons Change” is a slow-burn: no huge drop, no fireworks, just a warm chord progression and a vocal that sits somewhere between hopeful and resigned. oncor builds the whole thing on restraint. The production detail is where it wins, with little granular flecks of sound scattered through the mix, a bassline that pulses rather than pounds, and a build around 2:15 that swells and then, instead of exploding, just gently opens up. It’s the musical equivalent of the exact moment summer starts tipping into autumn, which I assume is the point. The vocal never pushes; it stays almost conversational, like...
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1 min read
Weekend two is the one that actually matters
Read more . . . →Weekend one wrapped yesterday and your feed is already unbearable, full of drone shots and people crying at the mainstage like they invented feelings. Fine. But everyone who actually knows Tomorrowland knows the second weekend is the better one. The DJs have shaken off the rust, the crowd skews more heads and fewer influencers doing a bit for the camera, and the set that flopped on Friday the 17th gets quietly fixed by Friday the 24th. Boom, Belgium goes again this Friday, and here are the five tracks I want the mainstage to earn. 1. Hardwell - Spaceman Hardwell headlines...
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1 min read
AC Slater x Lock 'N' Load - Blow Ya Mind
Read more . . . →That “blow ya mind” vocal is a rave relic, and AC Slater dragging it into 2026 is exactly the kind of chaos I’m here for. This flips Lock ‘N’ Load’s old anthem into a bass-house weapon — all rubbery low-end and a beat that swings harder than the original ever did. The drop at 1:14 is filthy in the best way, a growling bassline that struts rather than stomps, and the nostalgia of that vocal hook against the modern production is a genuinely fun collision. AC Slater’s whole Night Bass thing has always been about this: house music with the...
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