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Super Future - Got Them Weak!
Four Super Future tracks in one batch — either on a serious tear or Bassrush is stacking the feed. Got Them Weak! is the exclamation point they deserve.Read more . . . →Subscribe →Weekly digestOne email per week with the tracks worth your time. No spam, no Coldplay. -
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Super Future - Want
Super Future stripped it back to near-minimal and somehow it still works. The quiet version of a producer who usually goes loud.Read more . . . →Subscribe →Weekly digestSundays. One email. Zero ballads from white guys in beanies. -
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Super Future - KING SH!T
Super Future does not have an inside voice and KING SH!T is the proof. All caps, all energy, zero apologies. This is what Bassrush is for.Read more . . . →Subscribe →Weekly digestWhat you missed this week, minus the corporate emo. -
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Dyro - The Light
Read more . . . →Dyro and Revealed Recordings is one of those pairings that makes sense on every level — the label built its reputation on big-room energy and Dyro’s been a reliable source of it for over a decade. “The Light” is not a pivot or a reinvention; it’s Dyro doing what Dyro does and doing it well. The production is crisp and loud in exactly the way Revealed tracks need to be. The melodic element riding over the main progression gives it more emotional weight than a lot of tracks in this genre bother to attempt — most big-room stuff is just...
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Four days left before it officially becomes someone else's problem
Read more . . . →Four days until the window closes on spring and everyone pretends they were a house music person all along. Before festival season swallows the conversation whole, here are the tracks that landed right as the weather stopped being a personal attack. No preamble, no Coldplay. 1. Jungle - Carry On Jungle announced a whole album called Sunshine (out in August, mark it) and dropped “Carry On” as the first taste. It sounds exactly like the weather turning — warm, unhurried, like the city collectively exhaling after five months of grey. No notes. 2. SOFI TUKKER - BOBA SOFI TUKKER have...
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Timmy Trumpet x Frank Walker - All My Life (feat. John Martin)
Read more . . . →John Martin’s voice on a Timmy Trumpet track filmed live. If you’re not familiar: John Martin did “Antidote” with Swedish House Mafia. This is the same vibe, bigger room, trumpet. More like this Joshua Robbie, Dawty - Addicted 2 U (feat. Preston Harris, Trxnz) Spinnin' Sessions Radio - Episode #681 AVE - Meet Me In The Dark Buy / stream this track →
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In My Place turns 24. It still sucks.
Read more . . . →24 years ago today, Coldplay released “In My Place.” It still sucks. One circular guitar line that goes nowhere, a drum part that just keeps time, and Chris Martin doing his wounded falsetto about being lost and singing lines he couldn’t change. He repeats “in my place” until you start to wonder if he forgot where he was standing. It’s three minutes of a man being mildly sad in a very expensive studio, engineered to sell you a sedan during a commercial break — which is roughly where the song lives now. 2002 was a great year for music that...
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The Purge & Coldax & Hans Glock - SIDEQUEST (Tetris Mix)
Read more . . . →A hardstyle track called “SIDEQUEST (Tetris Mix).” The only thing missing is a boss fight. Dirty Workz going full gamer and I’m here for it. More like this D - Charged - RE:WIND Flux Overload - Violence Horyzon - Sky Blue Buy / stream this track →
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Drove - All Along
Read more . . . →Found this on MrSuicideSheep, which has a way of surfacing stuff that doesn’t fit cleanly into any genre box. “All Along” by Drove is one of those tracks where you’re not quite sure what category it lives in — it’s got the pacing of downtempo, the textures of something more restrained, but every time you think it’s going to stay seated it kicks back up again. The melodic line that runs through the whole thing is stupid simple. It works every single time. There’s a patience to how Drove builds this track that a lot of producers in this space...
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DJ Marky & Makoto - It's Alright, I Feel It (ft. Vanessa Freeman)
Read more . . . →DJ Marky is basically a living institution at this point, and pairing him with Makoto and Vanessa Freeman on the hook is about as much pedigree as you can stack on a single DnB track. “It’s Alright, I Feel It” is exactly what you’d expect from Hospital Records — warm, liquid, impeccably constructed. Freeman’s vocal is the kind of thing that’s been genuinely missing from this sound for a while: full-throated and present, not just chopped into samples and buried under the mix. The production actually gives the voice room to breathe, which is harder than it sounds when you’re...
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