Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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Driving home after midnight with this on, I missed my exit and did not especially mind. More is a collaboration between Fink and Jan Blomqvist, two artists who come at electronic music from the song side, not the club, and it shows in the best way. Fink’s voice is a worn, intimate thing, all breath and cracked grain, and Blomqvist builds a patient, hypnotic groove beneath it that unfolds slowly. Nothing here detonates. It accumulates: a muted kick, a bassline you feel more than hear, little granular textures layering up until the whole thing has taken over the room without...
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Via Rosa could sing a grocery list and I would still feel it. On Emotions she lays that warm, lived-in voice over a bed of lush melodic house from Sultan + Shepard, and the whole thing plays less like a club track than one long exhale. The groove is patient and deep, a soft rolling bassline and a kick you feel more than you hear, built for that 6am slot when the hard stuff has burned off and you only want to feel something. She sings about emotions with a plainness that should be corny and instead lands, because she...
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Some tracks exist for dancefloors. These two exist for tarmac. 1. Tinlicker - Reborn The arpeggios come in and immediately it’s the late 90s and trance is the most important thing in the universe. Tinlicker spent three albums getting more refined, and then just went back to what got them started — rippling synths and urgent stabs, the kind of build that makes you grip the steering wheel tighter without realising. It runs close to nine minutes and earns every one of them. The third single off their fourth album, and the first Tinlicker track in a while that made...
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