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4 min read
Sub Focus & Wilkinson: The Dancefloor Machine
Sub Focus & Wilkinson make the Coldplay-ification of drum & bass — festival-scale 174 BPM DnB built to make 40,000 people scream. And it rules.Read more . . . →Subscribe →Weekly digestOne email per week with the tracks worth your time. No spam, no Coldplay. -
3 min read
Shogun Audio, Explained: The Label, The Sound, The Essential Records
Shogun Audio explained: the Brighton drum and bass label behind Alix Perez, Icicle and Rockwell, and why its dancefloor DnB still sounds like itself 20 years on.Read more . . . →Subscribe →Weekly digestSundays. One email. Zero ballads from white guys in beanies. -
4 min read
RAM Records, Explained: How DnB Got to the Main Stage
RAM Records, explained: how Andy C's UK drum and bass label dragged DnB onto the main stage — Sub Focus, Wilkinson, and the big-room vs underground fight.Read more . . . →Subscribe →Weekly digestWhat you missed this week, minus the corporate emo. -
5 min read
Pendulum: The Band That Dragged DnB Onto the Radio
Pendulum smuggled drum and bass past the bouncer. Hold Your Colour, the sellout fight, and how Knife Party became the most honest version of the band.Read more . . . →Get the tee →Support the blogSome shirts are statements. This one is a verdict. -
4 min read
Noisia: The Most Influential Electronic Act Most People Never Heard
Noisia: three guys from Groningen who quietly built half of modern bass music's sound design. The most influential electronic act you've never heard.Read more . . . →Get the tee →Support the blogMade for people who left the room during Yellow. -
3 min read
Netsky: From Liquid Prodigy to Pop and Back
Netsky went from Hospital liquid drum and bass prodigy to tropical-house pop on 3, then came home. The full arc, and what to actually listen to.Read more . . . →Get the tee →Support the blogIf you wear this and someone hugs you, that's a real friend. -
6 min read
Metalheadz, Explained: The Label That Made DnB Serious
Goldie's Metalheadz made drum and bass serious without sanding off an edge. The Blue Note, Photek's snares, and 5 releases that win the argument.Read more . . . →Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
5 min read
How Jungle Became Drum & Bass (And Why It Never Really Died)
Jungle vs drum & bass: same family tree, two years and an attitude apart. The Amen break, Goldie, Roni Size, and why Tim Reaper proves it never died.Read more . . . →Get the tee →Support the blogThree words. One opinion. Cotton. -
1 min read
Trilucid - Too Good
Read more . . . →Anjunadeep is one of the few labels left where the brand basically guarantees the mood, and “Too Good” by Trilucid is exactly the kind of melodic deep house the label has spent fifteen years perfecting. Warm, unhurried, a little melancholy around the edges even when the chords are technically happy. The groove sits in that sweet spot where it’s too pretty for the peak-time floor and too propulsive for the chillout room, which is precisely the Anjunadeep zone and the reason their festival stages always feel like the adults’ table. The vocal sample floats in and out without ever fully...
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1 min read
It's here. Save something for the Endshow.
Read more . . . →It’s here. Whatever’s left of you by the time the closing ceremony starts is who you actually are. The Endshow is the part nobody can explain to people who weren’t there. Fire, fireworks, a hundred thousand people who are completely wrecked and somehow a little bit crying. Pace yourself today, because the last hour is the one you came for and you don’t want to sleep through it. Here’s the kind of thing that lands when you’ve got nothing left and the sky’s on fire. 1. KELTEK - OG 2 ZOMBIE KELTEK going full throttle for the part of the...
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