News / big room
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1 min read
Ravekings & JSPH - Dance To The Beat
Read more . . . →There’s a vocal sample chopped so hard it turns the phrase “dance to the beat” into a stutter you cannot unhear, and that stutter is the entire hook. Ravekings and JSPH have built a piece of unapologetic big-room festival fuel, made for a stage the size of a city block, all air-raid synths and a drop designed to launch a crowd straight into the sky. People have been declaring big-room dead roughly once a year since 2015, and it keeps refusing to die, mostly because tracks like this still do precisely what they were built to do. The build is...
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1 min read
Dirty Signal & 2ACES - Rocking
Dirty Signal and 2ACES' Rocking has been stuck in our head for two days straight — simple, chest-punching festival bait that works.Read more . . . →Subscribe →Weekly digestSundays. One email. Zero ballads from white guys in beanies. -
1 min read
Kevin D'Angello & Doppenberg - Tranceformation
Kevin D'Angello and Doppenberg's Tranceformation is maximalist big-room-meets-trance that never once let us clean the flat.Read more . . . →Subscribe →Weekly digestWhat you missed this week, minus the corporate emo. -
1 min read
Quintino & Deorro - Phoenix
Read more . . . →Big-room is supposed to be dead and Quintino & Deorro clearly never got the memo. “Phoenix” is a full-throated festival main-stage weapon, all rising sirens and a drop designed to launch 40,000 people into the air at the same instant. There’s no subtlety anywhere in it and that’s completely the point; this is music engineered for one specific function and it performs that function ruthlessly well. The lead synth in the drop has that classic Deorro punch, and the buildup at 1:40 does the whole slow-siren-and-white-noise routine that should feel dated by now and instead just works because they commit...
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1 min read
Matt Pridgyn, Pontifexx - Hero
Read more . . . →Big, dumb, and completely irresistible — “Hero” knows exactly what it is. Proximity built its whole channel on this flavour of anthemic electro, and Matt Pridgyn and Pontifexx have delivered a textbook example: a soaring vocal about being someone’s hero, a build that telegraphs the drop from a mile off, and then a drop at 1:12 that lands with all the subtlety of a firework in a phone booth. The lead synth is pure serrated euphoria, the kind that was everywhere around 2015 and has quietly come back into fashion. I’m a sucker for it and I refuse to be...
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1 min read
Ian Redman - Rave It
Read more . . . →“Rave It” does not have a single subtle bone in its body, and thank god for that. Ian Redman turns in a proper Revealed-style banger — a pumping, festival-primed beat, a chopped vocal barking the title, and a drop at 1:08 that’s built for a field full of people losing their minds at midnight. Revealed has a house style and this fits it like a glove: high energy, big hooks, zero patience for anyone who wants nuance. The bassline on the drop has a satisfying elastic snap, and there’s a rave stab buried in the second half that’s a direct...
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1 min read
AFROJACK & Gil Glaze - Allein
Another big-room AFROJACK record in 2026? Yes, and 'Allein' earns it with a hooky German vocal and a sunset-festival payoff.Read more . . . →Get the tee →Support the blogLooks like Helvetica. Sounds like a closing argument. -
1 min read
Borgeous - In Da Booth
Read more . . . →Borgeous is still alive and making festival bangers, which in 2026 counts as a genuine plot twist. “In Da Booth” is unapologetic big-room throwback material — the exact sound that ate EDM alive around 2014 and then got laughed straight out of the room a couple years later. Here’s the thing though: played this confidently, it still works on a lizard-brain level. A nagging vocal chant, a supersaw lead built for a hundred thousand phone lights, a kick you feel in your sternum. There’s no reinvention on offer and Borgeous clearly wants none of it; this is comfort food for...
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1 min read
Domeno - Where I'm From
Read more . . . →Where I’m From has a chip on its shoulder and I’m here for it. Domeno turns in a piece of festival electronic with an actual point of view — there’s a vocal running through it about roots and not forgetting where you started that could have been corny and instead comes off defiant. The production is big-room adjacent but smarter than the average main-stage banger, the drop at 1:25 leaning on a gritty, almost industrial lead instead of the usual polished supersaw. There’s a real physicality to the low end, a kick that thuds rather than clicks, and the whole...
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1 min read
Digital X - The Night
Read more . . . →Some tracks are built for headphones and some are built for a field at 1am, and The Night is unmistakably the second kind. Digital X delivers a widescreen piece of festival electronic that’s made to be heard through a wall of speakers with a few thousand people around you. The vocal is anthemic and slightly anonymous in the way these things always are, but the build is where the craft lives — a full ninety seconds of tension-winding before the drop at 1:35 finally lets go into a huge, euphoric lead. It’s big, and it only really makes sense at...
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