Fall To The Ceiling earns its upside-down title with a drop that genuinely disorients you the first time, flipping the rhythmic emphasis so you lose track of where the downbeat is for a couple of bars. Body Ocean & Matsu clearly enjoy messing with your sense of gravity here. Where their other Dirtybird cut rides a straightforward bounce, this one is weirder and more interesting, full of off-kilter percussion and a bassline that seems to fall away just when you expect it to land. That tension between expectation and what actually happens is the entire appeal. It’s tech house for people who’ve heard ten thousand tech house tracks and want one that still surprises them. The vocal is minimal, just a few processed words used more as percussion than melody, which suits the disorienting feel perfectly. I keep catching myself trying to nod along on the wrong beat and that’s clearly intentional. A genuinely clever record dressed up as a dumb dancefloor one. The best kind of trick.
1 min read
Body Ocean & Matsu - Fall To The Ceiling
1 minute. You read this in less time than Chris Martin says 'thank you, beautiful crowd'.
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