Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
1 min read
How many times can one producer remake his own back catalogue before it curdles into a nostalgia racket? For Mauro Picotto the answer keeps being at least once more, because The Twilight Zone (V2) has no right to hit this clean. This is him taking an old idea back into the lab and giving it a 2026 chassis, the melody still that stern, marching trance line he has been writing variations on for twenty-five years. The V2 tag is honest: it is tighter, the kick is modern and physical, the stabs cut through on a big system in a way...
1 min read
There is an acid line in Proximus that corkscrews downward like water leaving a sink, and it is pure, uncut 1999. Pairing Mauro Picotto with Bryan Kearney is the kind of booking that makes trance lifers sit up, two generations of the sound in one room, and Proximus plays to both their instincts at once. Picotto brings the hypnotic, riff-as-mantra approach that made Lizard and Komodo survive every fashion cycle thrown at them. Kearney brings the harder, darker edge he has spent the last decade pushing, that psy-adjacent low-end rumble under the melody. Together they land on something properly peak-time,...
1 min read
If you came up on 2012-era Anjunabeats, ARTY’s name still does something to your nervous system, and Giving It Up is him reminding everyone why. This is the big, melodic progressive trance he helped define back then, updated just enough that it doesn’t sound like a time capsule. The vocal hook is enormous and openly emotional, the sort of topline engineered to be sung back by twenty thousand people with their hands in the air. ARTY has detoured into pop and lighter commercial stuff over the years, so there’s real pleasure in hearing him come home to the uplifting sound...
1 min read
If you have ever stood in a field at sunset while a melodic trance track did something unreasonable to your chest, you already know what Grum is for. Stay With Me is the Scottish producer operating in his comfort zone, which happens to be one of the most reliable comfort zones in dance music, big arcing melodies over a propulsive progressive pulse built to detonate on a festival stage at exactly the right golden-hour minute. The vocal is yearning without tipping into cheese, a hard line to walk, and the synth lead that answers it in the drop is the...
1 min read
Three in the morning, headphones on, the ceiling doing slow laps, this is the track for that exact coordinate. Driftline is progressive trance that earns the word drift, a long, unhurried builder that is in no rush to get anywhere because the travelling is the entire point. ANUQRAM and Julian Nates layer pad on pad until the low end feels less like bass and more like weather, and a single arpeggio threads through the middle of it like a light you are following through fog. There is barely a drop in the traditional sense; the track just keeps gathering mass...
1 min read
1 min read
1 min read
1 min read
1 min read
Weekly. We hate Coldplay, not your inbox.
Done. Check your email to confirm.
One email a week. Unsubscribe whenever. No spam, no tracking pixels in the content.