This is dubstep for the comedown, not the peak. Waiting finds SHOSH working the deep, patient end of the genre, all cavernous space and sub that arrives slow and stays low. There is no scramble for a festival drop here; the track trusts restraint, letting a single bass note ring out and fill a room. It sits closer to the dub in dubstep than most of what gets filed under the name these days, a half-step crawl with air around every hit. Monstercat putting this out is a small sign the label’s taste runs deeper than its reputation for glossy festival bass. The title fits the feeling exactly, a track built on anticipation that never fully resolves, which is the point and not a flaw. It does nothing flashy and still ends up being the one you remember from a set, the moment the whole room exhaled. Patient, heavy, and genuinely cold the way the best deep dubstep always is.
Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.