MUST DIE! spent years being the guy other producers quietly ripped off, and this whole record is him collecting the debt. The title track wastes about forty seconds on a fake-out intro that sounds almost pretty before the first drop caves the floor in around 0:48. What gets me is how dry the low end is — no reverb smear, no wash, just a bass patch that hits like someone slamming a car door in an empty garage. I had it on in the kitchen and physically stopped chopping vegetables to check my speakers weren’t broken. He’s always written this cartoon-horror flavour of dubstep and here it finally sounds expensive instead of cheap. The back half introduces a second-drop switch-up that most producers would have saved for a whole other song, which tells you he’s not rationing ideas anymore. Nothing about it is subtle and I don’t want it to be. Some records you sit and analyse; this one you just survive.
1 min read
MUST DIE! - BLOODBATH AND BEYOND
1 minute. You read this in less time than Chris Martin says 'thank you, beautiful crowd'.
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Your Mailbox Just Became a Checkpoint
Aug 2026 —
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