Revealed Recordings is Hardwell’s house, which usually means festival fireworks engineered to detonate at exactly the right second for the drone footage. MatricK plays that game but doesn’t sound like he’s reading the manual. Can’t Stop Us Now front-loads a vocal that should be corny and somehow isn’t, then drops into a lead that’s all teeth. I went in expecting the usual big-room paint-by-numbers and got something with actual snarl in the low end. The kick hits like it has a grudge. There’s a moment around the second drop where the whole thing tightens up and you realize he’s been holding back the real punch the entire time. It’s the kind of track that makes zero sense in your headphones on a Tuesday and total sense at 1am with a thousand people who all decided to lose it at once. He’s not reinventing anything. He’s just doing the loud thing better than most of the people currently doing the loud thing. Turn it up and stop pretending you’re above it.
1 min read
MatricK - Can't Stop Us Now
1-min read. About as long as a Coldplay key change takes to ruin a song.
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