The bass hit at the first drop physically moved the air in my room, which is about the highest praise I can give a trap tune. Euphoria pairs Deadcrow’s murky, half-time sensibility with Caster’s harder edge, and the result lands somewhere between a Trap Nation banger and something you’d hear in a much darker room. The name is a bit of a fake-out, because this isn’t euphoric so much as menacing, all detuned bass growls and a beat that stalks rather than bounces. The vocal chops are pitched into something almost ghostly, floating over the low end like they’re not sure they want to be there. At 1:35 the whole thing drops into double-time for about eight bars and it’s genuinely disorienting in the best way, like the track briefly forgot which genre it was. I’ve had the main drop on loop trying to figure out how the sub sits so cleanly under all that distortion. Trap gets written off as festival filler, and a lot of it is, but this is the kind that reminds you the genre started somewhere genuinely dark. Filthy and precise at the same time.
More Deadcrow & Caster? Always. Previously: Caster - Voodoo