Chrome Daydream
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
The notebook changes its cover every month. Each one takes its cues from a different corner of music, paper and internet culture. Explore the collection below.
Haunted Notebook is here through November 1. Coffee Shop Confessional takes over November 2.
Chrome stars, jelly hearts and holographic colour. A nod to the glossy, optimistic graphics of the early web.
Cassette ribbons, red-pen hearts and pink paper. For anyone who ever put too much thought into a mixtape.
Vines wind around the speakers and flowers take over the margins. Spring gets the volume knob.
Pixel ghosts, cherries and electric blue meet the notebook doodles. A little arcade cabinet in the margins.
The pink splashes, coffee ring and black doodles that started it, with the volume turned up. The notebook's home colours.
Peel-and-stick chaos: skulls, butterflies, hearts and neon lightning. Think of the back of your favourite battered laptop.
Torn tickets, halftone fragments and bright scraps. A cover that borrows the rough edges of a wall full of gig flyers.
Black ink, torn paper and acid-yellow sparks. A love letter to photocopied zines and the flyers you kept after the show.
Stars, speakers, tape and every loud colour at once. Back-to-school stationery with absolutely no restraint.
Moths, little ghosts and crimson ink creep through the black flourishes. The notebook has a late-night alter ego.
Coffee rings, headphones and warm paper. A cover for the long walk home and the track you play again when you get there.
Moons, moths and constellations spill across midnight-blue ink. The margins drift into space; the music keeps going.
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How to do mpc pad finger drumming from Brandon Murphy on Vimeo.
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Watch: Star Trek (Abrams, 2009) Read: Jenkins, Henry. "Star Trek rerun, reread, rewritten: Fan writing as textual poaching" Critical Studies in Mass Communication 5.2 (1988). 29 Nov. 2009 < http://www.informaworld.com/10.1080/15295038809366691 > My last screening returns to the land of fiction as I wanted a good example of the types of borrowing and rewriting that already exists heavily within Hollywood. Hopefully with the previous weeks exposure to liberal copyright politics the students will take a closer look at who has the right to control and change this culture. I went back to revisit our friend Henry Jenkins for another look at...
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Watch: Good Copy, Bad Copy (Johnson, Christensen, Moltke 2007) Read: Pouwelse, J., P. Garbacki, D. Epema, and H. Sips. "Pirates and Samaritans: A decade of measurements on peer production and their implications for net neutrality and copyright." Telecommunications Policy 32 (December 2008): 701-712. My last non-fiction week screens a documentary that takes a close look at fan-created media, sampling and copyright issues around the world. The film interviews Girl Talk who was introduced during week 8 and also DJ Danger Mouse who is another “king” of copyright infringement. What I felt was really valuable in this film was the way...
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LCD Soudsystem have rented a mansion rather than a studio to record their latest music. This is the future of music, really awesome idea, create space! clip 1 from lcd soundsystem on Vimeo.
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Here is the music video to this Lusine song that I just heard. I first heard it on Pete Tong as the Nic Faniculli remix (which I cannot find ANYWHERE btw) I can't wait to get my hands on this song, its so sexy, and to prove it here is a sexy trig-themed music video:
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Watch: Manufacturing Consent (Wintonick, 1992) Read: Seltzer, Trent. "RIAA, MPAA, and the Digital Piracy Issue: Comparing Public Relations Strategies and Effectiveness" Paper presented at the annual meeting of the International Communication Association, Sheraton New York, New York City, NY, . 2009-05-25 http://www.allacademic.com/meta/p14465_index.html Following with the previous weeks examination of corporate media and how their agendas affect the media we consume I wanted to look at a seminal Canadian documentary based on the propaganda model of media. The film does a good job of criticizing the media for being partisan and only interested in the agendas of an elite minority. The...
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