WINK took a track that was already mean and somehow found a way to make it meaner. The original End is an Eptic staple, but this remix rebuilds the drop from the ground up, and the payoff around 1:20 hits like a door slamming in an empty warehouse. There’s a metallic screech riding the second half that I keep flinching at even though I know it’s coming. I’ve had it on four times trying to work out how the low end sits so far forward without turning to mud, and I still can’t explain it. This is dubstep that doesn’t care about being pretty, which is exactly the point of the genre when it’s done right. The half-time switch never feels like a gimmick, just a gear the track was always going to reach. WINK has been sharpening this exact sound for a while and this feels like the version where every edge finally lines up. Play it on something with a real sub and your neighbours will introduce themselves.
Not the first time Eptic has shown up here — Eptic - OCTANE