Trap Nation surfaced DASH’s “Without You” featuring Tara Carosielli and it’s a reminder that melodic trap can still land an emotional gut-punch when it’s done right. Carosielli’s vocal is the heart of this one, fragile and aching over a beat that gives her plenty of room before the bass drops in. There’s a real heartbreak running through the lyrics, and the production matches it with these wide, atmospheric synths that feel genuinely lonely. When the drop finally arrives it doesn’t bulldoze the emotion, it amplifies it, the bass swelling rather than stomping. I appreciate trap that uses its weight in service of a feeling instead of just flexing for the sake of it. The contrast between the delicate vocal and the heavy low end is where the whole thing lives. It’s the kind of track for driving alone at night with too much on your mind. DASH clearly understands restraint....
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June 09, 2026 at 9:39 AM 1 min read
DASH - Without You (Ft. Tara Carosielli)
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June 09, 2026 at 9:10 AM
1 min read
Defqon.1's hard half: where hardstyle is the warm-up
Read more . . . →Defqon.1 hits Biddinghuizen at the end of June and most of the coverage fixates on the mainstage hardstyle. Fine. But the reason this festival makes every other summer lineup look soft lives one stage over, where the kicks stop being polite. Hardcore, frenchcore, uptempo, the harder end of the site. If regular hardstyle already feels too gentle for you, here’s your map for the rest of the week.
1. Angerfist - The Nightmare Man
Angerfist has been the face of Dutch hardcore for two decades and “The Nightmare Man,” out last November, is him doing the thing nobody does better. Distorted, mean, zero interest in your comfort.
2. Dr. Peacock & Sefa - Incoming
Frenchcore’s two biggest names in one track. 200 BPM, a kick that gallops instead of stomps, the entire genre’s...
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June 09, 2026 at 7:10 AM
1 min read
Poilievre Treats Breaking Up Canada Like a Bargaining Chip
Read more . . . →Alberta is putting a question on the October 19 ballot about whether to start the legal process of leaving Canada. The Leader of His Majesty’s Loyal Opposition went out there this week and the strongest thing he could bring himself to say was that the people who want to break up the country “are not our enemies.” Carney called the referendum what it is — a dangerous bluff. Poilievre called it a feeling we should sit with. “We do not need a different country, Alberta. We need different government policies in Ottawa.” Read that again. The man who wants to run the place just told a secession movement their demand is basically fair, he’d only like to handle the paperwork himself.
This is the entire Poilievre move compressed into one speech: never be the guy who says no. Pipelines, repealing Bills C-69 and C-48, “different policies in Ottawa” — he...
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June 09, 2026 at 6:45 AM 1 min read
Sully, SOH SOH - Pedal
Read more . . . →Last of the Sully run, and “Pedal” with SOH SOH might be my favorite of the three. Where “Temperature” leaned vocal and the “Disconnect EP” went long-form, this one is pure rhythmic mayhem, a collaboration that sounds like two producers daring each other to go harder. The groove is relentless, built on a bassline that bounces and stutters in ways that shouldn’t lock together but absolutely do. SOH SOH brings a slightly different flavor to Sully’s world and the friction between the two styles is exactly what makes the track pop. It’s playful and heavy at the same time, which is a hard balance to strike without one side swallowing the other. I keep finding new little percussive details every time it loops, the sign of production that was genuinely sweated over. Three drops from one artist in a single week and not a dud among them. Whatever Sully is...
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June 08, 2026 at 11:44 PM 1 min read
Sully - Disconnect EP
Read more . . . →If “Temperature” got you curious about Sully, the “Disconnect EP” is where you go to fall all the way in. A full EP instead of a single track means you actually get to hear the range, and Sully uses every minute of it. There’s heavy, contorted bass design here, but also quieter, more textural moments that prove this is a producer thinking in terms of a body of work rather than just chasing the next drop. WAKAAN gives artists room to be genuinely weird and Sully takes the invitation and runs straight off the map. Each track flows into the next with intention, building a mood that holds across the whole thing instead of evaporating after the first highlight. I respect an artist who still releases a proper EP in the age of algorithm-bait singles, and I respect it even more when the EP is this good. Block out half...
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June 08, 2026 at 7:11 PM 1 min read
Axel Knox - Set You Free
Read more . . . →Dim Mak has always had an ear for the bigger, brasher end of electronic music, and Axel Knox’s “Set You Free” fits that lineage neatly. This is a confident, festival-minded track with a vocal hook designed to be screamed back by ten thousand people at once. The build is patient and deliberate, stacking tension until the drop arrives with genuine impact rather than just noise. There’s a euphoric streak running through it that recalls the golden era of big-room without feeling like a stale rehash. Knox clearly knows his way around an emotional payoff, the breakdown lands with real weight before the energy comes roaring back. The production is glossy in a way that suits the ambition, every element polished to a shine. It’s unapologetic main-stage music and I have zero problem with that. Sometimes you want subtlety, and sometimes you want to throw your hands in the air like...
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June 08, 2026 at 5:13 PM 1 min read
Sully, Chozen feat. Nat James - Temperature
Read more . . . →WAKAAN is Liquid Stranger’s label and it’s where some of the weirdest, most forward-thinking bass music lives, so when Sully and Chozen show up with a Nat James vocal on top, you pay attention. “Temperature” is exactly the kind of off-kilter, future-leaning bass that the WAKAAN crowd eats alive. The production is glitchy and tactile, full of sounds I genuinely can’t identify, and Nat James glues it together with a vocal that keeps the whole experiment human. There’s a real song buried under all the sound design, which is the part a lot of experimental producers forget to include. The drop is heavy without being a generic festival wub, twisting and morphing in ways that reward close listening on good speakers. This is one of three Sully cuts surfacing right now and clearly the man is in a creative spiral, the productive kind. Adventurous, strange, and weirdly catchy. Put on...
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June 08, 2026 at 3:31 PM 1 min read
Ammo Avenue - How Good (Extended Mix)
Read more . . . →Ammo Avenue showing up on DFTD with “How Good” is a reminder that proper, no-frills house music never actually went out of style. This is a bumping, slightly retro slice of dancefloor business that knows exactly what it is and refuses to apologise for it. The vocal chops are infectious, looped and filtered until they become almost percussive themselves. There’s a swing to the groove that a lot of modern house forgets to include, the kind of thing that gets hips moving before your brain catches up. I respect a track that doesn’t try to reinvent anything and instead just nails the fundamentals with total confidence. The bassline is fat and rubbery, the drums punch right where they should, and the whole thing feels purpose-built for a sweaty basement at peak hour. Defected’s DFTD sublabel keeps delivering exactly this energy. It’s pure functional joyful house with no agenda beyond making...
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June 08, 2026 at 2:36 PM 1 min read
Strixter - Let Him Cook
Read more . . . →Second hardstyle entry today, because once you open that door it’s hard to close, and Strixter’s “Let Him Cook” earns its meme-fluent title. This is rawstyle leaning, harder and dirtier than the euphoric stuff, with a kick that sounds like it was engineered specifically to dislodge fillings. Where a lot of raw hardstyle just screams at you for four minutes straight, Strixter actually builds something, giving you a moment to breathe before the next assault. The screeches and distorted kicks are nasty in the way the genre demands, and there’s a real sense of momentum carrying you from one drop to the next. The title is goofy and the music is dead serious, which is a combination I find genuinely charming. This is for the people in the pit who consider a broken ankle a fair price for a good night. Not for everyone, and that’s the point. If your...
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June 08, 2026 at 2:00 PM 6 min read
The 25 Best Drum & Bass Tracks of All Time, Ranked
The 25 best drum & bass tracks of all time, ranked. From Goldie to Photek to a #1 pick that built the whole genre. Yes, your favorite is too low.Read more . . . →Get the tee →Support the blogShips in 3–5 days. The outrage ships immediately.
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